Angels of Mercy

When Gay Men Have Straight Sex… [NSFW]

When Gay Men Have Straight Sex …

-or- why my guys are more like real guys than the stuff you read in m/m romance.

 

I’ve done it now. Angels of Mercy won’t be an easy read for the chicks who dig their man-on-man (-on-man?) love action. There’s a cardinal rule there that gay men don’t play on the other side of the fence.

Only, after being around the block as much as I have – and I’ve really been around the block so much I can give muthafuckin’ tours and sell shirts and shit – I know that gay doesn’t always equate to GAY with a big ol’ pink triangle and a rainbow flag. Men are far more fluid when it comes to sex. They won’t talk about it honestly with others if they know they can be identified – but in the course of my Human Sexuality class I took last semester we ran a world-wide sex study and the results were rather enlightening (well, more so for the class than myself). Mostly because the survey was completely anonymous. No tracking, no cookies, no way to link it back to you as the participant. So I think we got really refreshing responses. It turns out that across the over 600 respondents from around the globe, the spectrum of gay vs. straight ain’t so lopsided as one might think. In fact when we added up the queer populace it came damned near EQUAL to the total self-identified straight population within the sampling.

Read that again so it’s clear to you all – THE QUEERS (LGBTQAI, etc) WERE DAMNED NEAR EQUAL IN NUMBERS TO THEIR STRAIGHT COUNTERPARTS.

 

A little man on man action never hurts...unless its done right.

A little man on man action never hurts…unless its done right.

 

In my past I’ve bedded enough “married straight men” to know that straight doesn’t always mean what it says. DL much, guys?

Honestly put (and this is NOT news, ladies and gents):  GUYS LOVE TO GET THEIR ROCKS OFF.

And don’t let all that straight boy bravado fool you – a gay boy will do just fine if there’s no pussy to be had. Just callin’ it as I sees it. And believe me, I’ve seen plenty. Sex positive here and all that rot.

So my literature work is not genre romance. It just isn’t. I never really saw that it was. I mean, I think it could be embraced by that audience, but they are so deeply entrenched in their own genre dogma that they often rail against stories that don’t fit into their nice and tidy rainbow box.

Well, as a fully fledged GAY man, I know that the world is a whole lot grayer than the black and white everyone likes to classify things into. We all like tidy little boxes. Well, human sexuality is not so fucking tidy.

And neither are my boys.

I’ve known gay men who have sex with women on an on-going basis. The difference is they can’t emotively connect with women beyond friendship. Men, on the other hand, turn their little heart crank in 0.065 seconds flat. They become a puddle of emotional goo if a guy begins to woo them. Therein is the difference, sweet cheeks. That emotive quotient that is added to the sexual mix between gay men and their male lovers.

It’s no different than the ‘gay for pay’ adult actors who want to earn more money by doing gay porn than they ever could doing straight porn work. They may get all the pussy they want doing straight porn, but the real money for the men is on our side of the fence and they’ve figured that shit out. And the guys in gay porn who are gay are stretching the boundaries of what gay men look and “act” like (though I grouse at the word “act” when it comes to anything gay – I am only using it here because of the commonality of how many use it in the sex work industry).

Colby Keller is one such man that I admire not only for putting himself sexually out there (which, let’s face it, takes REAL BALLS to do that – and believe me, Colby’s got ’em – and then some!), but also has a brilliant mind and a real sense of aesthetics in art and literature. A man I can really admire with all of his sex-positive stuff going on that makes it oh so sexy to watch in a man. He’s hella sexy and that ginger status only adds fuel to the fire in my book (just sayin’).

But I digress, that’s not what this blog post is about really.

 

Colby Keller and all of his auburn glory

Colby Keller and all of his auburn glory

 

What I did that many readers of M/M Romance genre might take offense, was organically developed in the way that my story needed to evolve. Angels is about choices gay men have to make to try and eke out some happiness in their lives. Some of those choices go epically wrong. Horrifyingly so. Especially within the context of organized/team sports. They (the jocks) have a script that they have to go by to be a fully fledged member of the “club.” Even if there is no literal script to run with.

Angels of Mercy - Volume 2: Marco

Angels of Mercy – Volume 2: Marco

My protag, Marco Sforza, in the second volume (Angels of MercyVolume Two: Marco) is just such a young man. He knows he is in love with the out, but shy, gay boy on campus. But he is also painfully aware that the big bright shiny spotlight that follows him everywhere on campus is not what will bring the love of his life into his arms. He knows that there are other factors at play here. He knows he has to “play the game” so he can play the game (of football, in this case). Marco’s good at what he does. His stats are some of the top in the nation for high school athletes – especially those who are eyeing a college career, if not a professional one. Marco knows he is going to be scouted as he gets to college level playing. But that only serves to put an added layer of pressure to be one of the guys.

This doesn’t do anything for his heart. It only denies him what he wants most in life – to have that boy of his dreams (Elliot) in his arms and in his bed day in and lights out.

But he chooses to “play the game” rather than give up the game he loves to play. So he finds a girl that he’s comfortable with. She’s a good fit for him. She doesn’t pressure him, she enjoys his company, she is everything he could want in a relationship. This is something that takes him by surprise. Something that he doesn’t expect to happen to him. And Holly, the girl in question, is easy for him. Not in a slutty girl way, but rather because he doesn’t feel put upon when he’s with her. This only serves to cloud the issue of whether he really is gay or not.

But each time he goes out with Holly, he finds himself back at that boy’s house, out back in the woods that surrounds his home, just waiting for any sign of the boy who still has his heart. Marco has some big choices to make in this case. He knows he needs to let what’s easy go, in favor of that much harder choice of what will feed his heart and his soul.

But then, there’s the added complication that he’s an hormonally charged teenager too.  And despite what mothers and the girls in their lives, that’s never an easy thing to wrestle with. Hormones in a teen boy are massively and epically confusing to deal with. Part of me thinks this is why so many boys choose team sports – it is a way to direct that pent up sexual energy.

Holly has decided that Marco is the guy who will be her first. And for Marco, who hasn’t been with anyone in that way, decides that she will be his. So they have sex. Nailed to the fucking wall, kind of sex. Sex on steroids kind of sex because, as it turns out, Marco and Holly are very sexually compatible. Each one driving the other to new heights of pleasure. And to Marco’s surprise he actually finds he enjoys himself in doing it. It’s just easy, that way. And that is what makes everything so much harder for him.

But inwardly, he knows it’ll never be what he wants most in life so he let’s that slip away from him in favor of what he’s always wanted. But his time with Holly answers so many questions he has about himself. It gives him clarity so when he makes the conscious choice to set all fear aside and move in to tell Elliot (the boy he’s secretly loved) how he feels, he does it with real conviction, no longer unclear about who he is and what he really wants. No one can ask him: “Well, how do you know you’re not straight if you’ve never tried it?”

‘Cause he bloody well has, that’s why! And his boy Elliot, STILL came out on top!

Angels of Mercy - Volume 1: Elliot

Angels of Mercy – Volume 1: Elliot

Book one covers their relationship from Elliot’s perspective. It’s heady and very over-the-top romantic. Book two is Marco’s perspective on it all. But I wanted these books to be real character studies. I wanted the reader to know these boys intimately. Seventy percent of the books are inner-monologue. They are fashioned that way so the reader goes through this emotive questioning that all gay men go through. The struggle to answer that question of who am I and what does it all mean?

Gay men do have straight sex. It happens more than people realize. And the reverse is quite true too. Straight men will have gay sex (even beyond the “acceptable” practice of it being prison sex). Sexual fluidity is a far more potent place to write stories. Why? Because all cards are on the table, all bets are off.

The real stories can be told when nothing is guaranteed.

Let the gloves come off and start swinging… that’s my motto.

Some men just can't wait... it's all good.

Some men just can’t wait… it’s all good.

It may not win me any points with M/M genre fiction readers. But I think they are, by and large (though not everyone, I’ll grant you), limited in scope of what are acceptable storylines. There should be no guarantees in the writing of these stories. Only then do we let our true creative sparks ignite and become the storytelling firestorm that they can be. Otherwise, we’re just swapping characters and occupations around and rehashing old ground.

So Angels is not a player of that M/M genre game. My boys won’t fit in tidy fucking boxes. I hope those readers give it a chance. But since one of my main characters (the jock in the relationship) has straight sex in it, I may have just lost that appeal for them. Too bad really, because I think it makes him infinitely more real and accessible. The experience defines him, gives him greater clarity. It also allows him to push for what he really wants without the need to put these characters on unattainable pedestals. Elliot does that for most of book one – Marco is a god to him. Only to have that smashed when it looks like Marco has strayed on the very same night Elliot does with another boy – but now I am getting ahead of myself. Best to leave that for when the books come out.

So yeah, broke a rule here for that audience. Maybe they’ll take a chance on it any how. I know that the readers who have groused about some of the positions I’ve taken and then previewed the first book found that I really did have something here that is a bit of a game changer. It is different than what’s out there. I am striving for real literature. Beyond genre. Beyond that sort of (IMHO) myopic rule set.

No guarantees. 

No automatics.

No ‘they must not…’ 

Because they do. And they will, and I wouldn’t have them any other way.

 

Until next time …

SA C

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Banned By Association

Banned By Association

Guilt by association? Banned by my own hand? You be the judge ...

Guilt by association? Banned by my own hand? You be the judge …

 

Okay, maybe it was my fault.

Maybe …

So I hit a BIG learning curve here.  Epically so.  Why, you might ask? Because my first work, a novel that was released to the world from several selling platforms, Amazon being just one of them, got BANNED! But since it all took place this past week I didn’t want to do a knee-jerk blog post about it. I wanted some distance from it to sort it out. I’m like that. I can be wordy and preachy when my ire is provoked, but at times, like this time, I was able to quell that rash desire to lash out and opted instead to think things through.

I’m glad I did. And while I might not like Amazon’s decision, I recognize it was theirs to make.

I mean, they’re the big guns in the literary world, like it or not. Even the big publishing houses have to play ball with them. So a little guy like me doesn’t have much pull. I haven’t brought enough money to the table. And I know that it is all about the money.

I mean, I think it is interesting that my book, with a rough sex scene (the hero in the story is raped physically by the bad guy in the series) near the end of the book, could be blocked/banned because of that scene when say EL James 50 Shades (of crap, if you ask me) gets a pass. Though to be fair, I guess rape wasn’t in the cards for that drivel. But what about the Bible? It has rape, pillaging and all sorts of violence spread throughout the work.

TO BE CLEAR: I don’t consider the Bible (or any other religious text, for that matter) to be holy or sacred. They are books like any other – written BY MAN. So yeah, I so won’t get into that debate ’cause to my way of thinking that’s just messing with 9 bags of cray-cray (as my granddaughter says).

But as a newbie author, doing the self-pub thing on my own, I know I have a learning curve ahead of me. I know that my works will stumble and I might make some epically bad moves. I get that it’s part of the process. I don’t expect to be “the next BIG thing” when it comes to literary works. Though to be honest, I do write literature. I write character studies. I find them infinitely fascinating to write from. I want to immerse the reader into the psyche of the character who is telling you the story. All of the inner monologue that we all have in our day to day lives that never gets said to the outside world.

Those monologues are deeply fascinating to me. At times I listen to my own mental ramblings as I interact with others. Not that there are voices in my head – well, okay there are, but they are my characters working out their upcoming scenarios that I need to get sorted before I write them down – I SWEAR!

Anyway, so my first work was out there on all platforms –

 

The reworked and final image for the first of my HOMO series of gay werewolves set in 1956 West Virginia.

The reworked and final image for the first of my HOMO series of gay werewolves set in 1956 West Virginia.

 

Amazon   (Sold as The Shrill of Sparrows – abridged edition – A point I’ll come to later) 

 

The Shrill of Sparrows - the reworked abridged edition as sold by Amazon.

The Shrill of Sparrows – the reworked abridged edition as sold by Amazon.

 

Amazon had the original work – HO’M,O – Henry O’Malley, Omega  as it was originally released (with the rape scene in the next to last chapter). But here is where I think I misstepped and it only became apparent to me as I woke up this morning.

 

Inspiration for Hank O'Malley in my story

Inspiration for Hank O’Malley in my story

 

The book does have sex scenes in it. This is for three reasons:
  1. It was meant to be a fluff, fun and slightly scary read as part of my NaNoWriMo 2014 writer’s challenge project that I won last November -writing the bulk in what made it into the published work within 26 days out of the 30 for the challenge. The werewolves have this ease with themselves where sex comes into it because that is how pack life is for them. The sex keeps them rooted to their human existence.
  2. It was meant to be a story for my very first fan, Michael, who has a penchant for sexy guys and werewolves. I wanted to do some thing for him. I even made him one of my wolves IN the story. He loves it and I couldn’t be happier. The hot and heavy man action was a nod to him.
  3. Sex within my packs of werewolves (which are ONLY male, btw) is a way of exchanging power. It is a metaphor I am using in that submissiveness doesn’t equate weakness. Sometimes, it actually takes far more courage to be there for another in that way. I wanted to play with that dynamic. My wolves keep telling Hank (Henry) that, as the pack’s new Omega, he doesn’t belong to them – they belong to him!

 

That is a very distinct but important difference. But that isn’t the topic at hand here. What is is how I classified it and where I think I went wrong with it all.

 

Amazon, like many of the distributor options out there for self-publishing authors, has their own guidelines and category systems to publish your work.

 

Where I think I went awry is that I classified it as erotica because of the sexual nature of my wolves. It really wasn’t that. That was my misstep. I see that now. BUT, what I do rail against is how Amazon handled it. I got this as my only warning regarding the work:

 

 

Hello,
We’re contacting you regarding the following book:
HO’M,O – Henry O’Malley, Omega: A Sparrows Hollow Lycanthropic Adventure by Collins, SA (AUTHOR) (ID:5629640)During our review process, we found that this content is in violation of our content guidelines. As a result, we cannot offer this book for sale. If we identify additional submissions with similar content that violates our guidelines, we may terminate your account or you may lose access to optional KDP services.

To learn more about our content guidelines, please visit our Kindle Direct Publishing Help page at:

https://kdp.amazon.com/help?topicId=A2TOZW0SV7IR1U

Best regards,

Kindle Direct Publishing
kdp.amazon.com

 

That was it. No – “can you modify the work to address the issues we see here (and then list them)?” There was nothing much for me to go on. When I clicked the link they provided, I got this as the only explanation (which wasn’t much to latch onto):

 

The scarcity of Amazon's KDP policy with regards to content. There's precious little to latch onto and learn from.

The scarcity of Amazon’s KDP policy with regards to content. There’s precious little to latch onto and learn from.

 

Since the work was classified as Erotica, I assumed that the first two sections of this lack of direction was the Pornography and the Offensive Content areas of this little policy write up. But how was I supposed to work with that?

It could’ve meant that ANY of my sex scenes were objectionable, right? I had to question it all. So I went out and offered a “hey, I’m new – what do I do to address this so I can learn from it and not repeat it?” I just wanted something or someone to direct me to what was in violation of the policy.

All I got was this (the bolding and underlining of the email content are mine as I am just drawing attention to what stood out for me when I read it):

 

Hello,

We’re contacting you regarding the following title:

HO’M,O – Henry O’Malley, Omega: A Sparrows Hollow Lycanthropic Adventure by Collins, SA (AUTHOR) (ID:5629640)

We’ve confirmed that your book(s) contains content that is in violation of our content guidelines and we will not be offering this title for sale in the Kindle Store. As stated in our guidelines, we reserve the right to determine what we consider to be appropriate, which includes cover images and content within the book.

If you wish to re-publish your book(s) with content that meets our guidelines, it will need to be submitted as an entirely new ASIN and go through our standard review process. Previous customer reviews, tags, and sales rank information are not transferable because the title will essentially be a different product.

Our content guidelines are published on the Kindle Direct Publishing website.

To learn more, please see: https://kdp.amazon.com/help?topicId=A2TOZW0SV7IR1U

We appreciate your understanding.

 

So all I got was a ‘confirmation’ that they were right in their first judgement of the work, and that I better pay attention or my entire account with them would be cancelled.

 

For a publishing company, this is woefully short of any real direction and leaves it wide open to capricious interpretation that any given reviewer might object to. Indeed, there are works I know to be up there that are definitely in violation of their policy but somehow I got flagged because of it. I feel like I have a big old red flag waving above my head now with them.

 

So what have I learned from this? Words matter. DUH! I should’ve seen that one coming.

 

So I am gonna take this one on the chin. I’ll be much more clever about how I package something going forward. I am driven by this not because of this first work going through the wringer to get out there on the biggest publishing platform that’s out there, but because of the work that I have waiting in the wings.

 

The FINAL - FINAL version of the book cover for "Angels of Mercy - Volume One: Elliot"

The FINAL – FINAL version of the book cover for “Angels of Mercy – Volume One: Elliot”

 

Angels of Mercy I do NOT want to be blasted or banned by this type of capricious labelling by Amazon or any other publisher. I know it’s literature and NOT genre fiction. It is a massive work. It is a deeply penetrating look at what gay young men go through to establish themselves in the context of sports and their personal lives. It is about the pressures of what society expects of them – the script they feel they must follow to succeed in their given sport. It is about choices and compromises that we, as gay men, must constantly do to eke out some sliver of happiness for ourselves in a world that is still quite homophobic about our existing at all.

 

Another of Hank O'Malley - tough luck lookin' like that, huh?

Another of Hank O’Malley – tough luck lookin’ like that, huh?

 

The tide is changing. I am emboldened by the success stories of young men and women finding acceptance with their loved ones. But there are still so many who are thrown out of their homes, who are shunned and abused for the lives they lead. This is why character studies intrigue me so. No matter the sub-genre I write in – whatever form it might take, I will always write from that inner-monologue perspective. It is the mindsets of those characters that I think is an immensely powerful viewpoint to write from.

 

So yeah, lessoned learned. I’ll move forward. I’ve made peace with it.

 

I’ve also become more determined to get Angels in front of a literary agent rather than self-pub it myself. I want that work to succeed on its own merits and not some capricious label that some fucktard reviewer who probably can’t write a sentence to save their life making a decision that has a bearing on my work getting out there.

 

HO’M,O (or The Shrill of Sparrows as it is now known at Amazon) is fluff – it’s not meant to change the world. I mean, I go dark in it. I want it to be more terrifying than just sexing man-on-man love action (though there’ll be plenty of that because I think the sex between the boys is what will keep them rooted to their human existence and deal with the horrors of the wolf that is within them).

 

Love a boy in wolf's clothing, don't you?

Love a boy in wolf’s clothing, don’t you?

 

Monsters are a way for us to examine our darker natures. Sexual violence, along with violence of any kind, is a strong metaphor to do that. I don’t intend to start pulling punches in that. But I also can see how I need to be much more exacting in how I classify the work going forward.

 

I’m learning. I’m trying to sort it out. And in a very real sense, I am intrigued by this mistakes and missteps. As always, I learn most from where I go wrong. So yeah, lemonade out of lemons and all that rot.

 

Face forward, looking to the bright horizon.

 

Time to press on…

 

Until next time.

 

SA C.

 

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Quick! The Stork Done Took My Baby!

Quick! The Stork Done Took My Baby!

 

Okay, not really freaking out too much here. I mean, there was no stork, even if there was a baby (of sorts).

What happened was, I bit the bullet. I grinned and bear(ed) it. I took a leap of faith…

I published my first work.

The book is out in the world now. Hall-le-fucking-lu-jah!

The book is out in the world now. Hall-le-fucking-lu-jah!

I’m happy with it. Even if it isn’t the type of work I normally do. Part of me was concerned with that — perceptions and all. You see this work is a silly piece of fluff. Well, not silly, more sentimental and erotically charged. And while I am not about censorship when it comes to gay men and our sexuality, it is rather strange that I have a very sexual book out there that my mother can read!

Okay, I should stop worrying about that. I am gonna write what I’m gonna write. It is what it is. Right?

Yeah, well, I ain’t so sure now. Only because the next work I am putting out there is the important one. It’s the series that I feel the strongest about.

Hank and my boys of West Virginia are great. I love them and they’ve given me a spark of interest in writing about werewolves that I didn’t know I had. I sort of love my furry beastie guys. And Hank’s a rather pretty boy in their midst. I mean, the picture I have of him as an inspiration says nothing but pretty (if decidedly, beefy) boy.

 

Inspiration for Hank O'Malley in my story

Inspiration for Hank O’Malley in my story

Oh, that ain’t the only picture of him, neither (as he’d no doubt say):

Another of Hank O'Malley - tough luck lookin' like that, huh?

Another of Hank O’Malley – tough luck lookin’ like that, huh?

So yeah, pretty and beefy. Just look at them arms and them pecs, will ya? And I am not so much for blond guys – but, uh, yeah. He’d do — no kicking to the curb with that purdy boy! #jussayin

And Hank’s a lovely boy to write about. He’s caring, un-obsessed with his own good looks, genial and easy to get along with. Completely unassuming. And who’da thunk he’d be in the middle of a werewolf war that was about to break loose? Or that his mama and closest thing to a grandma he’s got are a pair of powerful witches? I know he sure didn’t.

Hank and his boys are near and dear to my heart. Which was sort of a revelation. I mean, as an author, you are deeply involved with your characters and your worlds that you create. That’s fairly a given — unless your completely dispassionate about the work then, why bother? But even if you are deeply in bed with them, it doesn’t always mean you have to like them much.

But with Hank, Riley, Tanner, Mike, Toby, Darby, Dylan, Maynard, and Spike – I am really already rooting for these boys to triumph over the likes of Cade Bowen/Talbot.

Don’t know who he is?

Yeah, well, go pick up the book, dammit!

And I’d like once again to thank Steve Grand for providing the emotive inspiration for my gay werewolves of Sparrows Hollow, West VA.

Country Crooner Steve Grand in all of his bloody manly redness...

Country Crooner Steve Grand in all of his bloody manly redness…

In a very real way, they’ve already been turning the creative wheel on the next part of their adventure. Trouble is, I’ve got a crap load of new stuff to churn out in the other series that I am just dying to get out there: Angels of Mercy.

Angels of Mercy - Volume 1: Elliot

Angels of Mercy – Volume 1: Elliot

It’s interesting because I am still not about the sales. In a very weird way though, I want to know what other’s think of my work. I know there’ll be some who bash it all to hell. There’s haters out there who do nothing but trash talk every damned thing that’s out there.

It’s just the way ’tis, thassall. <– As Hank would say.

There isn’t much that I want to censor from my work. I am so not a prude when it comes to sex. It doesn’t make my work erotic in nature because of this (though I do admit that the Sparrow’s Hollow series is deeply tinged with eroticism). Usually when sex enters my books it is because it is a part of the natural order of life. Whether it would be to have a family or simply for the pleasure of it all. I rail at those who get all uppity about it. The duality of not wanting to read about it and yet it is a very intrinsic part of life. I mean, we all got here because our parents fucked. Let’s be honest about it and pony up and embrace that everyone does it to a degree (not intending to take away anything from those who are asexual – that’s their gig and hey, I’m happy for them if they’re content to be so). I can’t though.

Sex is important. It is a vital part of why we pony up to the relationship table, right?

My works will reflect that. My Feigr story is predicated on that. Sex is power to them, a means of manipulating and rewriting genetic code. They are very fearsome creatures who use our desire as a means to an end. Allure has a very dangerous connotation when it comes to my Norse infused Fae.

So yeah, one of my baby’s has done flown the coup. It’s just as well. I gotta make room for the next part of their tale (it’s already brewing in my head).  Hank and the boys are waiting with baited breath for me to finish out my Angels (volumes 1 and 2 – that I plan to release simultaneously in the first quarter of this month). Volume 1: Elliot is already in the can (as it were). Marco (volume 2) is near completion. I think I’ll be ready by March at the latest. In a real way that’s a good thing I guess. It means, I can prep the Angel series for a proper send off. Hit the blog tour stuff and get the word out there.

Angels of Mercy - Volume 2: Marco

Angels of Mercy – Volume 2: Marco

Who knows? With a little luck, I just might have something here.

And the literary nest will never be empty. No, I think that as I take my last breath on this Earth (hopefully many, many moons from now) my last thought will be: shit, they’ll never know how that ended now.

The life of a writer, I suppose. A lonely craft it is.

Still, I can’t think of what else I’d like to do more.

Until next time… 
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Goodbye to 2014 and here’s to a great 2015 …

Best Wishes in #2015 and what I learned from this past year…

 

“…and I count the times I have forgotten to say, THANK YOU. And just how much, I love them…”

 

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So a quick post about where I am after this whole writing endeavor of mine that I plunged headlong into without really thinking about it all.

So what did I learn?

Quite a lot, actually.

I learned that writing is a very quiet, lonely (save for some really great discussions about the craft with my hubby and some writing pals and my betas) business. I sort of knew that, but really didn’t understand the full breadth of it all.

I learned that writing a novel, no matter the actual size, is a very cathartic craft and really does take it out of you emotionally as well as physically (just the sitting for hours on end can be a bit grueling).

But I’ve also learned to listen to others. To truly try to understand where they were coming from (even if I didn’t wholly agree with their positions). I learned that after all these years I still crave to hear what my gay brothers (and sisters) have to say about our lives – even if I feel we have quite a way to go in creating a real and lasting community amongst us.

I’ve conversed (over my social media) with some really amazingly creative people in all facets of their various occupations and social lives. I was heartened to discover that the experiences I’d amassed in my life regarding my sexuality and my perceptions about it weren’t dirty or wrong (I never really thought they were – just that everyone in the mainstream seems to have a bug up their ass about it). In taking a Human Sexuality course this past few months really gave me an appreciation about sex and humans that made it all very real and personal for me.

I’ve liked my on-going conversations with sex workers (like Rocco Steele, Boomer Banks, Tayte Hanson, Colby Keller, Levi Michaels and Armond Rizzo, to name a few) who have been kind enough to respond to my little tweets to them about the work they do and the other things that interest them outside of the porn business. I really am fascinated with all they do – beyond their current incarnations as porn stars. They are truly some amazing individuals and I am heartened to see how truly brilliant they are in how courageously they live their lives.

 

Colby Keller and all of his auburn glory

Colby Keller and all of his auburn glory

 

 

Rocco Steele and Boomer Banks -  two men who's lives are very fascinating...They inspire me too.

Rocco Steele and Boomer Banks – two men who’s lives are very fascinating…They inspire me too.

 

I am emboldened that the few who have previewed my current work (I haven’t published anything yet – though they’re all going to hit early in 2015) have said that I really have something with Angels of Mercy. That’s been the most rewarding thing of all this past year.

The FINAL - FINAL version of the book cover for "Angels of Mercy - Volume One: Elliot"

The FINAL – FINAL version of the book cover for “Angels of Mercy – Volume One: Elliot”

 

For my wolves of Sparrows Hollow – A BIG THANK YOU – ’cause you’re gonna be my very first release to the world in 2015!

 

The reworked and final image for the first of my HOMO series of gay werewolves set in 1956 West Virginia.

The reworked and final image for the first of my HOMO series of gay werewolves set in 1956 West Virginia.

 

I like that my musical muses – Steve Grand and Jay Brannan have been kind enough to exchange and, in their own way, encourage me to reach for my own stars. It makes my devotion to their craft and their art that much more special and personal. These men, these brilliant writers, inspire me each and every day in the things they do.

Grand fanboy here and proud of it! #teamproud #teamgrandfam

Grand fanboy here and proud of it! #teamproud #teamgrandfam

 

 

jay_brannan_new_album

Jay Brannan’s new album – released  July 2014.

To all of my newly formed author pals I’ve come to know and interact with, I am heartened and enriched by our exchange. A special shout out to Jayne Lockwood and Brad Vance for being the great people you are. Thank you.

To my family and friends – you still teach me so much and I am looking forward to knowing what you have in store for me next year. To Michael Rumsey, Matthew Gallien, Vincent Mazza, Patricia Hamilton and the hubby JL. To Zorro and Katya (my two brilliantly smart, and infectiously lovable cats). To Matt Rayne and L.a. Le – two crazy cats in my FB life… I look forward to what you’ve got in store for me next year!

To Keely and Whitney – the girls in my life and the family I cherish.

And lastly, to my cast of characters in my works. Thank you. Even if you aren’t real except in my mind and heart, you mean the world to me because you’re mine. Of my heart, of my mind, of my flesh and blood and tears (there’s been a little of each to create them all).

So I’ll close this first year in the chapter of my writing career and be thankful for what I have and what I know I have yet to do. It’s a lonely craft, this writing thing is, but I can’t think of anything else I want to do.

So in these final hours – I’ll leave you with a simple song that from the time I heard it as a boy it affected me so. It is from the Carpenters – who were my absolute love when I was a boy. Karen’s voice still gives me the chills every time I hear her. I miss her creativity so.

Cheers!

And for any nay-sayers this next year – yeah I got only one thing to tell ya…

 

In the heat of the moment this made total sense...

Haters be warned…

 

ADDENDA –

Boomer and Rocco both were quick to respond to my NYE tweets – proving yet again, what lovely men they are! LOVE THESE GUYS!

 

Feelin' the love... guys who appreciate their fandom.

Feelin’ the love… guys who appreciate their fandom.

 

 

Boomer being his witty and charming self...

Boomer being his witty and charming self…

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Designing My Angels of Mercy

Designing My Angels of Mercy

 

The FINAL - FINAL version of the book cover for "Angels of Mercy - Volume One: Elliot"

The FINAL – FINAL version of the book cover for the first book in my series “Angels of Mercy – Volume One: Elliot”

 

Sidebar: S.O. to author pal, Kris Ripper who liked the first one I did of these, that I’d thought I shoot her another. Hope you all enjoy it too!

 

So let’s talk book covers, shall we?  I mean, I did it before. So it’s not like it’s the first time, right?

I’ve been busy. Did the NaNoWriMo event for the first time and I was really enjoying it (even if it was a bit of a slog to write on a deadline schedule – but it was good for me).

Been putting small tweaks on Angels of Mercy Volume One: Elliot and fleshing out Volume Two: Marco. Volume One is sorta waiting in the wings because it’s ends on a cliff hanger and several authors said that as a newbie writer I shouldn’t do a cliff hanger – soooooo, since my stories are what they are, I decided to forestall the first book and just get book 2 prepped and ready to go so they can be released in tandem. Book 2 ends on a cliff hanger as well, but I figure I’ll have them decently hooked by then (fingers crossed).

So here’s the small twist in this – Marco’s always been the meat of the entire series as far as I am concerned. Elliot and the third boy (who is our guide in Volume 3) are merely bookends to Marco’s tome. The story has always been Marco’s to tell. I just wanted you to get to know the love of his life first. Elliot in many ways is an extension of myself. That’s why it is a character study.

I’ve had betas read the pre-released work and I get universal high marks on grammar and structure (my author pals have universally praised me on the manuscript being so clean) – and that’s the hubby too. He’s been my sole editor. He’s never done it professionally (still hasn’t cause he’s on the personal payroll – wink, wink), but he comes from a LONG line of educators that specialized in English. So I am solid there. He also used to play football for Clemson back in the day so that’s where all the football motif is coming from (well, that, and I did have a fling in my Senior year with an actual HS quarterback). But as I said, the response from everyone I’ve given it to thus far have really been impressed. I am humbled and grateful more than I can say about this.

Angels has been both an easy work to write and incredibly difficult to write. It is a very personal work. It is a love letter to my husband as much as it is to gay men I’ve been blessed to know and have in my life. Truly blessed.

So why the second entry on the book covers? Because I’ve finally nailed book one AND I’ve completed the work on book two in the process! Yippee!!

And here’s the big reveal on the second book cover in the series (cue drum roll in your head, please):

 

The book cover for Volume Two of Angels of Mercy - Marco.

The book cover for Volume Two of Angels of Mercy – Marco.

And as with Book One’s design I’ll let you see how I did it…

First things first – as with all things Foodie, there is a recipe and of course the ingredients. I am a content designer (of sorts – previous life as a graphic designer for a theater company in San Diego (amongst other things)).

Software usedAdobe Creative Cloud Suite (primarily Adobe Illustrator CC 2014 and Adobe Photoshop CC 2014)

Graphic elements –  images from iStock Photo (photos and vector art)

Fonts UsedScriptina (for “Angels” in the logo) and Copperplate Light for the subtitle and my author byline, and Jackport College NCV font for the football jersey number 7.

 

The original artwork in its raw form:

Illustrator Vector Line Art

The wings (I only used one half of them and duplicated them).

The wings (I only used one half of them and duplicated them).

 

The Footballer (Hi-res Photo JPG)

 

The footballer pic - Hi-Res XXL variety (so I could manipulate it and not lose resolution much).

The footballer pic – Hi-Res XXL variety (so I could manipulate it and not lose resolution much).

 

The fonts and logo work were borrowed from my Book One cover and adapted/modified to suit “Marco” in the title. Recycle whenever possible – it builds brand consistency and also cuts down on the design time and lets you get back to what we all REALLY want to do – WRITE, dammit!

So I’ll start with one element of this new book cover that kicked my ass on book one – the fucking footballer jersey has NO NUMBER! Couldn’t do a simple overlay – that would be too f’d up – it wouldn’t be right. So I hit the net and sorted through Photoshop tutorial after tutorial using crap assed terms to find what I was looking for – only because I couldn’t remember what I needed to really look for until I found it again – DISPLACEMENT MAPS. They are golden in my book now. And they proved a helluva lot easier to do than I thought they’d be – Win-Win in my book!

You can check out the tutorial that solved it for me right here.

So first things first – I knew my footballer needed his requisite wings so I had to separate the background (the troublesome gradient blue/black background) from the (footballer) foreground. Sometimes the graphics come with masked backgrounds so this is rather simple. NOT this time around. Sheesh! So I had to painstakingly (though I did save a small bit of time) using the magnetic lasso tool in photoshop to cut away at the background from around my mysterious “Marco” footballer.

Then slip a solid black background on a separate layer so I could manipulate at will what I wanted to do. Here’s the final with the broken down layers along the right side of the screenshot (click to enlarge):

My photoshop file in all it's naked glory.

My photoshop file in all it’s naked glory.

 

As you can see by the layers in the picture I post above, the background was solid black. The footballer sits just behind the jersey number layer and my author cred. The wings and the logo taking up the layers in between.

So I imported the jpeg I created from the Illustrator file and cropped the blue side of the wings (the ‘water’ wings) and duplicated the layers in photoshop once the first blue wing was imported and then sized them by freehand so while they are an exact dupe, they aren’t sized exactly the same – only a hint a being symmetrical. It was enough for my purposes. I didn’t want an exact dupe this time around.

The "water" wings imported, duped and resized by hand (freeform) so they aren't an exact match.

The “water” wings imported, duped and resized by hand (freeform) so they aren’t an exact match – a way to maximize your dollar.

 

I also angled them so they would be more upright (alluding to the same sort of position from my Art Deco wings from the first cover – see above). Added an adjustment layer above the two wing layers and boosted the hue and saturation to embellish and bring out the blueness of them.

Next up – Slipping my footballer back in front of the newly created wings.

Adding "Marco" back in to flesh out the "angel."

Adding “Marco” back in to flesh out the “angel.”

 

So now we get to the hard part – or what I perceived to be the hard part – the Displacement Map – to add the jersey number. The file I created for the displacement map I ended up using the black channel of the photo (when you get to that step) as it had the most contrast to build the map (I think in the tutorial link she used the red channel – use what looks best and has the highest contrast to work from – it’ll apply the best results).

I typed the number for the jersey (using the Jackport College NCV font) to create Marco’s football number – 7.  And I applied a white to black gradient to the number so it would fade out along the bottom of the cover like his shirt does in the picture.

I used the tutorial just as it is described above in the link I provided BUT I changed the displacement map settings from the default 10 to 5. This was the result:

 

Adding the "7" jersey number with the displacement map setting to 5.

Adding the “7” jersey number with the displacement map setting to 5.

Then I added the duped layers from my original Volume One: Elliot book cover (see above) and inserted the duped layers for the book title and sub-title (swapping out ONE for TWO and Elliot for Marco) so it would be inline with the finished cover I was after. Then did the same for my Author cred.

 

And voila!

 

The book cover for Volume Two of Angels of Mercy - Marco.

The book cover for Volume Two of Angels of Mercy – Marco.

But having succeeded in this I immediately was emboldened by my success with the displacement map that I went back to book one and FINALLY put the long missing Jersey number back on it!

 

The final cover artwork. Blood included.

“BEFORE”

 

The FINAL - FINAL version of the book cover for "Angels of Mercy - Volume One: Elliot"

“AFTER”

 

To paraphrase Darth Vader – “The Circle is (sorta) complete…”

 

I do still have to come up with Volume 3 (insert mystery character here – no spoilers this time).

 

Until next time… Happy Writing and Designing!

 


 

Shout Out to my musical muse – JAY BRANNAN! I constantly play his music while I do anything Angels related. He hasn’t steered me wrong yet. He might argue that he hasn’t steered me at all. I love the shit outta his work anyway.

 

BUY HIS SHIT NOW PEOPLE! I need this guy to keep working!

 

Always Then & Now Cover Art

Always Then & Now Cover Art

 

Jay_Brannan_Rob_Me_Blind_Cover_Art

The album that inspired me to write Angels of Mercy.

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