The Conundrum of Native American History and Modern Storytelling

 

 

 

 

 

 

 

 

So here’s the deal: while peeps have heard about the Haudenosaunee (under the more familiar moniker of “The Iroquois”), with the Mohawk (mostly in part because of that wild punker hairdo of the same name) and Seneca being the most widely known, when pressed they often don’t know much about them as a people.

And we can’t leave it to the history books, in part because the Texas Board of Education’s influence on dumbing down of the masses ensures that they’ll never get Native American history right despite the author’s best intentions of capturing what’s really out there.

Some university presses may have a better grasp of the reality but let’s be clear – most of that is written so dryly that just getting through the front matter of the book is a struggle.

So, we storytellers of the modern age who want to craft tales from that rich tapestry of North America’s indigenous cultures, it’s a dangerous mazurka across a cultural mine field. It’s doubly hard if you’re a member of that community mostly because you have to question every aspect of what you’re doing. As a member, you don’t get the luxury of claiming ignorance and white privilege.  Because if you’ve had any cultural instruction you know better and more importantly, you know who to ask if you don’t, and second – ya ain’t white, period.

But herein, as a native author, you have to weigh cultural indifference and ignorance on the reader’s part – not wholly of their own choosing, I’ll cop to that right now – on why all natives don’t live in teepees and say “Hau.” Don’t even get me started on the misconception we all refer to our women as squaws, either – ’cause if you really knew the meaning of that word you’d find it as offensive as I do.

So here I am, with my first Sci-Fi work finally coming to life and I ran smack into that cultural wall of:

“Holy Shit! They won’t know our history, the way we look at life, our morals, our creation stories, how we came to be as a people – say nothing of my alt-world spin on it all.”

So, what to do? I’ve heard many authors and readers gripe about prologues that instruct rather than “show” and reveal through the story telling. Or the expository nature of a character who has to impart native cultural history that is NOT part of the mainstream knowledge base. This shit simply is not known. It’s not like JK Rowling giving us a tale about witches and wizards. We know what those are. It’s part of the common vernacular and mainstream understanding. We only have to glean her twist on things to understand her world.

But how many of you could relate to me the tale of Skywoman and her importance in life? How many of you get the allegory of how the world was truly created and how closely her tale aligns with what we know in science to be true. If you knew, you’d think it was rather spooky how we had it down fairly well from a conceptual point of view. Actually, native perspective on the known sciences is rather interesting all on its own. And it’s something I’ll be exploring as we get into the Cove Chronicles. My native characters in my story went to Dartmouth – a university established specifically to address native peoples’ education.

But our cultural stories play a big part in how my characters move through their lives and deal with what I am about to throw at them. It’s fairly epic. Well, it should be if I expect people to care about them, right?

Still, how much to impart? It’s not an easy question. I don’t get that Rowling benefit of a common knowledge thing – aside from their being Indian. And we all know how misinformed that knowledge is. Epic doesn’t begin to cover it.

So, this week, I am posting the revised prologue – I’ve moved the original posting (it’s a work in progress, so shit’s gonna change) to further along in the book. In it, I take five pages to move the reader through a primer on who we are as a people and how my world works. It’s a stab. It’s a what if … kinda thing. I don’t know if I’ll keep it.

But I know I gotta wrestle that white privilege monster to the ground and give y’all some common place to start. Plus I gotta worry about the Natives in this world who might give me shit for condensing it as I have, say nothing of my twist on it all to put it in a SciFi perspective.

So here is my stab at leveling the cultural playing field, presented as an oratory from the guy who is actually the leader of the opposition. Yeah, the baddie gets to bring y’all up to speed on us. As a point of interest, Ati:ron’s part of this posting was written over 8 years ago. It’s still in its original form. It’s been quite the learning experience to see what I was doing back then.

Enjoy! (It’s rough (read: unedited) and still being worked out – so keep that in mind – subject to change).

 

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Wherein we learn of the birth of the Tewakenonhnè, the Guardians, and meet young Ati’ron, a Mohawk boy in the midst of his Guardianship training, finding himself, and his teacher in a very precarious situation.

 

The Haudenosaunee Territories
October 21st, 1183 – 5:12 PM

 

“I speak to you now, the words and the voice of the people. Words that speak of our coming, our creation, and our enduring peace. These are the words of our fathers, our mothers, given to us since time immemorial. Hear now of the sacred warriors, the Tewakenonhnè, and learn what they tell us …”

All Haudenosaunee children grow up with the creation stories.

They are the fabric of who we are as a people. They learn from an early age about the fall of Skywoman and how she started life here on Turtle Island, of her epic struggle to find a place to land, of seeding the plants and creating the beginnings of animal life that would populate the land.

After a time, she gave birth to twins. One was a virile strapping boy who would be known as Spruce, bringer of all good things in life. A constant of the universe maintains that a balance must exist. So where Spruce was robust and healthy; his twin, Flint, was sinewy and pallid in color, even at birth. One a bringer of light, love, empathy and compassion. The other of darkness, malfeasance, calculated evil and deception.

Their differences did not end with their out-worldly appearances. As with all things in life, each responds and interacts with it according to their own gifts. From an early age, Spruce was enthralled with every aspect of life. His keen and sharp mind, coupled with his compassion and deep profound respect for all the possibilities life afforded him, became the wellspring of his creations. Spruce demonstrated from childbirth his ability to imbue wondrous things on the island, expanding upon the flora and fauna he freely gave of himself to this world.

Meanwhile his twin, Flint, Spruce’s opposite in every way one could be opposite, would spend his days finding those wondrous things bearing the mark of his brother’s loving creation, and pervert them into creatures of a darker purpose. Flint took on a fiendish delight in bending his brother’s creations to his conniving will. Thus, the common garden snake would, under Flint’s maligned hand, grow fangs and poison others with its toxic venom. This was but just one example of the ways that Flint’s touch could leave his mark upon the innocence of life.

These small skirmishes between the siblings eventually grew to outright warfare. As their bodies grew in stature, their conflicts grew in direct proportion. Ultimately, Spruce found he could no longer bear to ignore the malfeasance that seemed to pour from his brother’s very soul.

Thus the brothers engaged, and a great battle ensued. A cataclysmic tussel that lasted for a very long time – whether one or one thousand years passed – the battle raged on. No one knew as no one was there to mark its passing. What is known, the twins in their epic conflict created the mountainscapes, deep canyons and gorges as they flung their titanic bodies across Turtle Island, slamming each other into the fertile soil.

When the world seemed that it could no longer bear more of their conflict, Spruce finally gained the upper hand and, in his victory, banished Flint to the shadows of life where darkness dwelled and bitterness and anger made a home. Flint’s heart became blackened to his brother.

Though the battle had ended, their war was far from over. From those infernal depths, in the darkened recesses of his banished realm, Flint swore that he would not be gone forever. He retreated into the darkness to lick wounds and bide his time. For time, that ever uncontrollable but progressive companion, he knew was ever in his favor. His brother would soon grow weary of watching for him. Flint knew that he would work his way back. Patience and planning was all that he required now.

Slowly, over the millennia, he crept back into everyday life. Slithering through the cracks he worked out, testing his brother’s resolve to keep him at bay. Whenever threatened by Spruce, Flint and his horde of perverted creatures would retreat back to their shadows to fight another day.

Then a curious thing happened: Spruce decided one day that he had completed his work and confident that his brother was no longer a threat in this world, he became resolved to take his leave, to simply walk away. His sole final imprint on this land was that he put the people of Turtle Island as its custodians, or balance-keepers, of life. It would be to them that the world would be cared for and treasured. They would become the check and balance against Flint and his minions.

For a time, it appeared to work, because in the beginning there was a balance, albeit with the occasional skirmish between both sides. But Flint was not anything if not patient. He could wait several millennia if that is what it took to achieve his ultimate goal. So Flint prodded the people. He poked at their defenses. Never so much as to do them great harm, but to test their resolve.

Over time Flint became more crafty in his offensive tactics, doing great damage to the people. Setting them against one another to the brink of oblivion. In this, Flint’s plan began to establish it’s evil intent. Fear, mistrust and deceit would he plant in men’s hearts.

It appeared to work.

It became apparent to the people that they were losing too many of their kind to keep Flint in his place. The Onondaga faithkeeper, in desperation, appealed to Spruce and begged for his assistance, explaining that the people were losing the battle and that all would be lost if he did not intercede on their behalf.

For a while it appeared that his plea fell on deaf ears. Spruce remained silent on the matter. The people that remained, left to guard the planet were strong in their resolution to oppose Flint, they just did not possess the means necessary to even the playing field, say nothing of actually winning the war.

Under Flint’s influence, the people began to fight amongst themselves on the right way to defeat Flint. Flint saw this as an opportunity and played into this – pooling malcontentedness where he could, caring for festering feelings and enmity toward their brothers and sisters.

On the eve of a particularly cold and bitter winter night, in the midst of a great battle amongst the people, warring amongst themselves, tearing at each other to the brink of desolation, their prayer, long since forgotten, was finally answered.

He came. Spruce returned one last time.

He returned to us not in the form we remembered, but as another great man: Dekanawida – known to us as the great Peacemaker.

He came to a man, a Mohawk man – Aiionwa’tha – who sat grieving near a lake over the butchering of his entire family during a recent battle. The Peacemaker consoled the man in his desolate grief. Tears that seemed to have no end found peace as he spoke to the man. Though not because of his words, but of the calming peace that emanated from every part of him.

Resolved that the warring amongst the people had to end, the Peacemaker implored Aiionwa’tha to help him bring the people together. Using the analogy of a bundle of arrows, he explained that they would get the warring peoples to understand that a single arrow could easily be broken, but combined and of like purpose, they were nearly unbreakable.

The Peacemaker was no great orator. But what he did possess was that calming and abiding peace. It was hard work to bring the people together, but under Aiionwa’tha’s impassioned tongue, and the Peacemaker’s influence, the people began to respond and see the way to the Great Law of Peace, uniting the five nations – Mohawk, Oneida, Onondaga, Cayuga and Seneca – to a common goal and purpose. Like those bundle of arrows, the Haudenosaunee Confederacy became strong.

But Spruce had a higher purpose in mind.

In their slumber as he visited each nation, he gifted the people with the ability to engage his brother and his twisted beasts. His gift would come in the form of preternatural powers that would manifest themselves in unique and powerful ways. Not every man – and later, woman – could answer its call.

At first, Spruce chose warriors who he observed showed the most promise; who were sound of heart and character and ultimately would not abuse the powerful sacred knowledge given to them by the Creator through him.

So the Tewakenonhnè or Guardians, as they came to be known, trained under Spruce’s tutelage in this way. As a warrior moved into his declining years – provided he had survived that long for the work was often lonely, grueling and for the most part, hidden from Haudenosaunee life – it would be up to the aging warrior to choose an able bodied young man culled from the village into the Guardianship and pass on the knowledge.

Sensing the people had taken up the cause for themselves, Spruce decided to take his final leave from us. He gave us every tool we would need to succeed. The rest, he instructed, was up to us.

As he left, he approached the faithkeeper of the Onondaga nation, and gave him a special wampum belt. Not of the white an indigo beads we crafted of our own, this belt, silver and shimmering like the ripples of a lake, is the most powerful and sacred of them all.

Gifted with this final tool to assist him in managing the Guardianship, he became the Guardian’s first Central. He alone would bear the responsibility of the Guardian’s care, welfare and their training. He was not their master insomuch as their caretaker, their counselor, and their elder voice when need arose in the Grand Council for the Guardians to be heard.

“This is the way of the people, this is how the Tewakenonhnè came to be.”

-*-*-

The fog wound itself in and around the trees as if the cloudy moisture would spiral up around their massive trunks, enveloping and protecting each white pine from the evening’s events. Their white tendrils glowing softly in the nearly eclipsed double-moons.

Ati’ron ran as fast as his youthful feet would carry him. Sweat beaded across his upper lip, dripped from his chin and onto the length of this bare torso as he tore through the forest. If he stood still, for even the briefest of moments, the cold would have seeped into his bones from the frigid autumnal air.

His senses bristled, everything about him on alert that he was being pursued on all sides. Thankfully, he had one element in his favor: he knew this area along the river well. He grew up here and throughout his childhood he had played along this river. Born from these lands, he would be hard pressed to come up short by some sort of surprise along its terrain. Its formations and indentations –the weft and warp of his very soul.

But he witnessed something that disturbed that for all time tonight.

It started innocently enough, he was out training with his teacher this afternoon; a man that was very well respected in the confederacy. It was said that he actually knew the Peacemaker himself. Ati’ron, though barely a young man of thirteen himself, thought that his teacher looked old enough that the rumor might actually be true.
Their practice started out with the basics, but in recent months they evolved into more the advanced teachings his teacher began to press he master. Tonight Tiyanoga, his mentor, decided to take him out to the river along a ravine that was about two miles away from their home to apply those techniques. After an hour or so into them Tiyanoga proceeded to gather herbs and other necessities from the surrounding forest while his pupil continued his training near the river’s edge.

Twigs snapped under Ati’ron’s feet. His breathing was becoming labored. Though physically fit for a young pre-teen boy, it had been sometime since he had run this hard over this great a distance. He turned his head to either side only to find the attackers pursuing him with renewed diligence. The patters of their feet crunching the flora debris around him on all sides felt like ants crawling over his body. They raced around him like the sinewy fog that meandered through the trees, slipping with ease as if the terrain held very little challenge for them. As they gave chase he could distinctly hear their jaws snapping at the air hoping in vain, for the time being, to catch some piece of boy flesh within their maw.

Without looking back he could feel one of them gaining ground on the distance he had fought so hard to put between them. Why hadn’t he listened to his teacher when he was showing him how to slip-run?

Memories of his first attempt flashed across his mind of that feeling of slipping through space and time in a flash. Only in that attempt he nearly ended up right off the side of a deep ravine and a potential plummet to his death. After that scare he was reticent about pursuing it further. Something Tiyanoga would consistently push him toward mastering. Now he was deeply regretting on putting it off for as long as he did.

He hastily reached over his shoulder and pulled an arrow from the quiver he had strapped to his back. The tips gleamed in what little light the night had spared; they were made from the very stone named for the foe he was now facing. He could feel the creature clapping it’s jaws as if nipping at the air between his snout and the heels peddling before him would help close the distance, or at the very least intimidate the boy into the terrifying demise that surely awaited him.

Just as the creature closed in on him the boy disappeared from sight. It took a few milliseconds longer for the creature to realize that he had simply jumped from a small precipice and had slipped below the horizon.

The creature pushed further and leapt from the same jumping point the boy had used. While in mid-air the beast thought he should see the boy in the distance continuing his run back to the village which was now within easy viewing from where they were. He knew others in the village would be coming to help the boy, he needed to finish his work now. The Master would not be pleased to find out the boy had escaped. His mate, a vile she-wolf who lived to mercilessly taunt and cause great amounts of pain had moved off to chase Tiyanoga down and kill him; two more souls turned for the Master.

As the wolf cleared the stone precipice, his fur rising on the attack, he finally spotted the boy just below him bow strung and an arrow notched into the bowstring; the boy struggling to maintain his focus in the face of his exhaustion.

With the single word puncturing the night air in between his deep breathless exhaustion he uttered: “Yotekhà …” and the arrow was loosed just as the creature was about to land. Though stressed to the point of snapping and losing his mind with what he’d seen, the boy’s aim found its mark. The beast’s final cry cut through the night, all at once a human scream and the howling of a wolf. As the arrow pierced the skin a fire-like pain coursed throughout its pulmonary system literally searing from within. The wolf’s fur caught fire and the creature’s eyes melted in their sockets; the final vision etched into the final memory of the beast was of the impending leaf covered ground its body was about to crash into before the engulfing flames consumed it in a fiery comet. The remains, flame licked bones, sinew and bloodied fur, skidded along the earth and scorched the leaves with small flames that were in its landing path.

The others in the pack suddenly stopped their pursuit and howled rage into the night air. The boy breathed hard and uncontrollably bent over bracing himself against falling over by placing both hands onto his knees. He felt like he wanted to wretch, he had expended nearly too much energy in the chase. The smell emanating from the burning leaves where the creature had met its fiery death smelled like fetid, rotting meat which didn’t help in settling his stomach. He heaved just once from the pit of his stomach with a little spittle taking flight from the edge of his lips and into the night air. Puffs of heated breaths accompanied his dry wretch.

Above, he could hear the others pacing around clearly within striking distance. The only reason they must have stopped was that Ati’ron must have just killed the alpha of the pack and they were somewhat confused on how to proceed. Maybe this is how Flint’s hordes worked? Could this be a weakness he needed to ask his teacher about? Something they could exploit to their mutual advantage?

Tiyanoga! In his haste to flee as he was told, he’d completely forgotten about his teacher being surrounded as he took flight back to the village. He needed to go back! But how? Ati’ron turned around to see the other Guardians making their way out of the village and toward where he now stood.

::Run!::

That was all his mind could muster. But how could he? He barely had the energy to stand where he was. The was only one way he was going to get there without complete exhaustion; which he knew wouldn’t help Tiyanoga if he arrived beyond exhaustion.

His only recourse was to slip-run to get to him. He clamored up the side of the precipice; leaves and bits of dirt colliding with his face as he cleared the top of the rocky landing.

Distracted for only a moment, the wolf pack renewed their attack once they saw Ati’ron clear the small cliff. They began to pace about the boy surrounding him as best they could for the kill. Ati’ron could hear the Guardians of his village coming. He felt arrows sing in the night air as they connected with their corresponding targets. It took only a few fiery displays to disburse the pack and send them into retreat. If he was to assist Tiyanoga it had to be now!

He quickly cleared all irrelevant thoughts and concentrated mentally to establish a complete image in his mind of the layout of the land he had just traversed. He had to have an absolute picture of where he and his teacher were so he could slip to him.  One mistake could land him in an even more perilous position, something no one would be grateful for attempting.

He saw the path. His eyes narrowed and he could sense in the distance the point he needed to reach. He could do this…he knew he could. He could hear his teacher speaking softly into his ear as if he were right there to guide him forward. “Focus, will yourself to the other point. Find its point and anchor yourself to it – that was the hard part. Then pull yourself to it – it all seemed so easy when he said it like that.” He could do it … he had to!

“Okay, NOW!” He clenched his stomach, which was already a churned up mess, and steeled himself to the oncoming sensation of your soul being ripped slowly, as if peeled, from your body. That was followed by the pin-like pricking sensation behind the eyes that darkened your vision to a deep blood red color where he could only make rough outlines of his surroundings. He barely felt his right foot make the first move and he was already in the slipstream. He could feel the center-point of his destination just there beyond his reach. Now was not the time to lose control. Almost instinctively he reached out with his mind to seize it, as if to hold it in the palm of his hand.

As he neared his destination suddenly a white pine he didn’t remember slammed into his right shoulder. It shuddered violently and he was tossed slightly to his left and came crashing down into the earth in a rush of pain and dirt. His mind was racing he could feel the breath of a hot fetid animal to the right of his shoulder and he rolled instinctively and was onto his feet with his bow up and an arrow notched before he even knew he had accomplished it.

Within seconds he was joined by six other Guardians from the village who appeared, to a casual observer, as if out of thin air. Fortunately enough his abrupt stop had landed him within a foot of his teacher. Who was lashing out with luminescent tendrils that seemed to coalesce out of thin air around the fingers of his hands. Ati’ron had never witnessed anything like this! Tiyanoga moved them about with a whip like action at the she-wolf who was pacing back and forth, gauging where her next move would be; looking for that weak link in his formidable presence. Ati’ron knew at that moment more than any other just what kind of master of their sacred knowledge he had been learning from.

From here he also got a real look at the beasts that were sent out to take them down. From a far off glance across the woods they would appear as any other wolf but for the larger torso and broader chest and head.

Upon closer inspection it was clear that the similarities stopped there. Their teeth were much finer than their canine counterparts, almost needle-like in their precision savagery. The snout, which alternated between fur and a lizard-like scale was a constant river of drool and a slime-like venom that dripped from their snake-like canines that would snap like a rattler into a life threatening strike.

He spared a quick glance at his teacher to take stock of how he had handled the situation before his arrival. At first it appeared that he was okay but a second look revealed a small puncture wound on his lower right calf muscle just above the ankle. The wound had some of the greenish-yellow slime oozing from the lip of the puncture. He could also see that the muscle of his calf was starting to collapse, much like it was losing life altogether and rotting on the bone.

Ati’ron knew he didn’t have much time to resolve this whole stand-off if he was to get his teacher back to the village and some immediate care. For a split second it seemed like all time stood still. Every being present taking full stock of their opponent, then just like water cresting over a dam the whole stand-off teetered on the brink before turning into complete chaos.

The she-wolf lunged forward in a flurry of claws and razor sharp teeth just as Tiyanoga sank to the knee of his injured leg. The field surrounding him, shielding him from her attack weakened and began to fall. Ati’ron knew he needed to strike now. He flung his body directly in her path and loosed his arrow. The tip glanced off her forehead but was enough of a threat that it brought her down to the ground hard. She roused herself up and shook off the blow.

Ati’ron reached out with his mind and focused as well as he could in the melee surrounding them both. The she-wolf snarled, then surprisingly she spoke to them both in Mohawk.

“Pretty courageous for a boy. You don’t think that your useless arrows are going to take me down? Just look at your teacher, he isn’t long for this world. Hope he taught you enough. You’re going to need it just to survive what I am going to do to you once I dispatch with him.”

“Stop talking about it and just get to it. You think you can take me? Then let’s do this.” Ati’ron spat at her all the while he was reaching with his mind to the energy that was seeping from Tiyanoga.

Tiyanoga was in agony now but trying to keep a straight face in the sheer pain consuming his lower leg. The others from the village were battling all around them. Both warrior and wolf alike were losing members. Ati’ron didn’t have time to spare taking stock of the score. He had successfully taken hold of the field that Tiyanoga was losing his grip on. He focused the energy just as the she-wolf bounded for a second attack. The shield held as she collided with it. The resounding sound echoed across the ravine as she was repelled back to the ground. She lunged again and this time he was unprepared for the attack and her head pushed at the limits of the shield and penetrated through her jaws snapping at the air just in front of his face. Their razor-like fangs mere inches from his nose. He removed his hand from the bowstring, reached around to his ankle, and pulled up the blade he had stowed there. In one move he thrust it forward deep into the throat of the beast.

She howled and sputtered blood and venom all around. Her thrashing around dislodged the handle of his blade from his hand. In two further shakes it slipped from her lower jaw. She had put all four paws onto the shield and was applying great pressure to bring her head back out of the shield. He couldn’t hold it much longer. Saturated with blood and venom the sick, rancid smell of her breath he let go of the field but she had a plan of her own.

As she sensed his withdrawal from the energy lines she used the same field to grab the boy and rip him from where he was planted. He was pulled from the ground, went careening over the side of the ravine embankment, and tumbled head over feet down to the river’s edge and plunging into its darkest depths. The icy water lacerating his body from all sides.

No time to think on that now. Get back to your teacher!

As he struggled to swim up and break the surface, he sensed the she-wolf enter the water as well. He was fully unprepared for her agility under the water. She sped immediately toward him. He wasted no further time in getting to the surface.

The current was strong and to get away from her he had to swim upstream. She seemed much more powerful a swimmer than he. As he broke the surface he had the good fortune of seeing a low-lying branch hovering just above the waters surface. He lunged for it as he was carried past.

The she-wolf had immediately changed course and spun in the water toward where he had pulled himself onto the branch and was squatted against another branch of the tree for balance. He saw her approach and he pulled an arrow from the quiver still tied to his back. The arrow he chose was a special one. He had worked for well over a year on it. There were ancient markings given to him by Tiyanoga during his trainings. Literally his blood and sweat were born into the arrow. It’s tip, dark flint, was still tinged with the dried blood from his own hand that he gave several moon cycles ago. It was the last of a long set of rituals to bring the arrow very powerful medicine to complete the task it was set for. Tonight was time for that task.

Ati’ron could see the wolf maneuvering under the surface and was now within ten feet of were he was on the branch. The fact that she wasn’t out of breath under the water and could move so easily within its strong current was proof she was a creature of Flint’s own making. In the next instant as he pondered this she broke the surface and was within a foot of him when he loosed the arrow.

He felt it connect with her throat from within her mouth where the tip shattered upon contact literally ripping the head of the beast into bits. Blood, bone and flesh were flung from the fatal wound and the body slammed with all the force of gravity back into the water.

Ati’ron stood there for a second breathing a bit harsh when he realized his teacher was still at the top of the ravine and the venom had more than enough time to take full effect. He ran up the branch and scurried up the embankment using his hands to grip branches, brush and vines wherever he could.

As soon as he reached the top he stopped.

The battle was all but ended. Four of the six warriors were left standing; two with serious but survivable wounds. Their opponents didn’t fare as well.

He saw Tiyanoga collapsed onto the earthen floor almost in exactly the same position he had left him in.

“Tiyanoga!” Ati’ron called out and moved quickly to his teacher practically sliding under his head and propping it up, as gently as he could, onto his curved knee.

“Ati’ron,” he said softly through labored breaths, “You must listen to me now more than ever. It is too late for me.” Seeing Ati’ron’s growing protestation he continued quickly, “No! Now is not a time for debate. I know what I speak of. Listen! Remember what I told you about bringing your thoughts into focus. Only then can you see the dark marks of the enemy.”

He coughed and some blood spewed from his mouth. Ati’ron did not react when Tiyanoga’s bloody spittle hit his face. It bore little concern for him.

“You are truly a great find, Ati’ron. I have been so proud of your dedication and your fearlessness and that you were mine. But now you must go. Leave me to my fate. Whatever you do from here out, promise me two things.” Tiyanoga was really struggling to keep focus in the delivery of his last teaching.

Ati’ron nodded, “Of course, ask anything of me and I will make it my life vow.”

“Remember what I taught you. But be innovative in how you apply it. Creativity is your strongest suit, you need to learn to trust it. One day, many years from now, your grandchildren will speak of you with great awe and reverence. Not because of your talents, but because of the man you will become. Become that man for me. Take hold and never lose sight of it. Promise me!” Pain and tears moved across his face as he was slowly losing his battle to maintain control.

Ati’ron saw small droplets hitting his teacher’s face but there was no cloud above to bring rain now, only to realize, his own tears dotted his teacher’s face.

“And the other promise?”

“Get up and leave. Don’t look back, whatever you do. No matter what you hear, no matter how tempted you might be to watch I need you to be strong and abandon my body as if you never knew it. You must do this! Go! Go now! I cannot hold it back any longer. Go! Please!” Tiyanoga cried out in a desperate whisper that crecendoed to a strangled plea.

Ati’ron kissed his teacher’s forehead, tears mingling with that soft kiss. He got up as he was told and though everything in his body and mind told him to stay and take care of the man who had become the single most influential man in his life next to his father and grandfather, he ran. He did as he was instructed. He would keep his promise no matter the cost. Tears streaked across his face knowing that his teacher was losing the battle against Flint and that if Tiyanoga, with all of the wondrous power he had amassed over his life could fall, how soon would he meet his own end?

He heard anguished cries as his beloved teacher was in the last throws of his rapidly emaciating body.

If he were to turn around he would have envisioned the final thing his teacher wanted to protect him from in his new life: as the light of his soul ascended from the body, its vessel decayed rapidly into an ashen mass. As that brilliant blue-white wisp of light took flight, a tentacle of dark energy lashed out from the decayed mass and ensnared it. For a moment, the light struggled against it, writhing against the dark strand until the light could fight no more and fell back to the earth in a semi-solid state, a small puff of dirt billowed where it collided there. For a moment, Tiyanoga’s spirit rippled and shone brightly, but in refusing death his prize, the light began to turn, take shape and from the decrepit mass that was Tiyanoga a new being began to form. The skin of this new creature darkened considerably to a deep black and almost reptilian in texture and appearance. After the transformation, it did not move. It did not breathe. The forest life became still, holding a collective breath the maligned creature’s presence promise of death and destruction. A stillness permeated every crevice of this part of the forest.

It took a long protracted first breath, before releasing it as an audible hiss.

When its eyes suddenly opened, they glowed with a deathly blood red – savage, brutal bringers of dark light, filled with malice and dark thoughts behind them. It raised itself up from the ground as if riding on the wind only to set foot to land gently on its feet. As it made contact with the ground, he became more solid. Tiyanoga, born into a new life, inwardly swelled with raw unfettered power. Who or what had granted him this he could not be sure. But he knew there would be time enough to ponder upon that. He sat up, taking in his surroundings, finally focusing on the retreating boy – the boy’s soft sobs caressing his preternatural ears.

He watched his former student depart over the horizon. There’s a good little lad, he thought. Always did as he was told. We shall soon meet again, little one; and then I will have the upper hand.

And with that last, he moved up into the air a bit and hovered for a few seconds then moved backwards and faded into the dark recesses of the ravine rock wall some ten feet behind him. A malevolent unspoken promise buried in his dark red luminescent eyes. Those eyes, the last to be seen as the crevices of the earthen wall closed in around him – a smile breaking across his sublimely handsome, wicked face as he watched the last of Ati’ron clear the horizon and slip from sight.

 

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Until Next Time …

-SA C

Tags: Cayuga | Haudenosaunee | Iroquois | Joss Lightfoot | Mohawks | Oneida | Onondaga | Seneca | The Cove Chronicles | The Peacemaker | William Hallett

Announcing – The Cove Chronicles 

 

 

So I’ve not posted anywhere lately. Seems to be a theme with not only me but several authors out there. I don’t think it’s intentional, but when you write it takes a lot out of you. I’ve just published two works that were but a few months apart. So, sorta busy on my end doing other stuff that authors do. Get the work out, and then start to promo it.

I am terrible with promo. I just hate being that guy who keeps screeching “BUY MY BOOK! BUY MY BOOK!” to the masses when most of those masses tend to be other authors. Like singing solos to the choir … I suppose. Well, that’s the way it feels.

BUT, there’s been other stuff in the works, too.

I’ve had this little gem of a story brewing for some time. In fact, I was working on it when Angels descended and took over my life. I can say now, as an author, NEVER utter those words that will doom you to the ninth level of writing hell:

Oh, this one will be easy. I’ll bang it out in a month or so. 

Yeah, that soooooo doesn’t happen.

But moving on … With two works out on my Angels of Mercy series I think I am taking a small breather to get back to what I was writing before. It is a Sci-Fi novel (or as my husband calls them – Sifee (he hates the short term Sci-Fi and constantly makes fun of the SyFy channel – don’t get him going on that one, I’m just sayin’). But it’s a Sci-Fi/Sifee novel with Haudenosaunee (Iroquois) Indians (ya know, my peeps) at it’s core. Gonna represent with this one.

It’s no small secret that my last post started a small fire storm in a Queer Sci-Fi Facebook group when I called JK Rowling out on cultural appropriation. She was guilty (IMHO) of such because she white-washed the Navajo culture in favor of her own books. My stories are based on Haudenosaunee culture (Mohawks, Oneida, Tuscarora, Onondaga, Cayuga and Seneca (moving from the eastern door to the west)). Yet, I am doing it with a solid eye to being respectful, even if I am turning some of our core myths on end to tell my tale. First off, it’s set in an alternate universe, very much like our own but there are some events that did not happen here that have occurred there that subtly change the course of my people and I think it’s fairly epic. Can’t wait to get this one rolling.

I am calling it The Cove Chronicles.

So, with that in mind, I thought I’d share with you a piece of the prologue – told by a Clan Mother who is present for the birthing of twins who will change everything for the course of mankind on the planet. It’s an ominous birth, one that brings as much hope as it does doom. It’s a work in progress (WIP), so some of what I post here and in The Works section of my site are subject to change as I work on it and move through the editing process. But this is where it is now.

Mohawks, Sci-Fi (masquerading as magic), and the epic battle of twin brothers – Good (Spruce and his Haudenosaunee Guardians) and Evil (Flint and his Flintlings) and how a world very like our own hangs in the balance. The narrator of this prologue is not from the central protagonists of my story. Indeed, she is a character from their distant past. But she is important because she is the first to truly see what is going on around their people and is present when everything changes.

A note about the prose: The vernacular is leaning to the prose of the 1820s but with a keen eye to Audrey not coming to English as her first language (which is Mohawk). So there was a slight shift I am employing where Mohawk conceptual speech is trying to fit the English mode. It isn’t supposed to be an easy fit.

So without further ado, as they say, I give you Audrey Brandt, a Clan Mother to the Mohawk people as she tells you Where It All Began … Again:

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Wherein we meet Clan Mother Audrey Brant who recounts the ominous birth of William and Rebecca Hallett

 

PROLOGUE  

Where It All Began … Again

 

Hallett’s Cove, New York
September 3, 1821 – 3:12 PM

The problem is, you see, I have seen things. I have always seen things that others do not. I assume it had been this way from the tender age of seven when I happened upon a peculiar metallic ball while roaming the forests outside of my village. It was very like those they shoot out of a cannon, I remember thinking at the time. I did not go looking for it. I found it just laying there, tucked in amongst the brush, waiting to be discovered.
At first glance it appeared as an ordinary cannonball, save that this ball possessed the smoothest, shiniest, silver I had ever seen. Beyond that, it did not appear as if anything remarkable separated it from any other sphere. It had no markings or etchings to make clear its intent. It seemed as any other.

That is, until I dared to get closer. Oddly enough, I could not deny that it begged me to draw near.

Though apparently solid, it did have moments when something inside seemed to ripple across its smooth surface. When it did, I peered into it, and it began to assume a life of its own – as if my presence woke it from a deep slumber. As I watched it, it seemed to undulate and glow with amber and green light that would ripple across its surface as if something just under its shimmering silvery coat beckoned to be noticed.

That light, hypnotic and wild, would occasionally bubble up from within. I felt a wary smile move across my lips. I found myself quite beyond being intrigued. I felt drawn to it. This here, whatever its truer nature, could not be confused with anything mundane. Rather, it appeared … magical.

Its allure beckoned me. Try as I might to resist its call, I found I could not help myself – so I touched it.
The shock I received from that simple touch threw me back on my hindquarters several feet away with the back of my head colliding with a small log. No small doubt the pain most assuredly expressed itself plain upon my face when I landed. I tried to rouse myself, but found it very hard to do. I’d nearly been knocked unconscious. Without much in the way of warning the orb hummed, I gave in to its call and everything went black.

When I came to, bearing a slight headache, I remember feeling quite disoriented; though as soon as I gathered my wits about me, I noticed the ball had gone. I gruffly pulled myself up, putting my hands to my hips, realizing how rude to have some passing stranger abscond with the silvery ball and not bothering to assist a girl in need. Who would have taken it and not bothered to lend me hand? That troubled me greatly as I slowly started to make my way home.

Hearing my mother’s clucking tongue in my head, only because I knew she would berate me for my shaken appearance, I did my best to dust myself off. Only I as I did so I discovered, to my shock while ambling over the countryside, I was not alone. I could not see who it was at first. All I heard was the fluttering of air, like hundreds of birds taking flight, moving about me with alarming speed.

My eyes tried to follow the wisp of shadow as it weaved in between the tall pines. At times it appeared high above me, and at others it seemed to move level to my own position, as if trying to discern its best line of attack. A quite unnerving experience, to say the least. ’Twas no ordinary movement, only one thing could move like that that I had heard of: dark forest spirits.

In truth, I did not know if the apparition could be called as such, but one thing made itself plain – whatever this creature, its motives and movements proclaimed its dangerous nature to me. My only thought: get back home, Audrey … and fast.

As I scrambled over rocks and ravines – doing my seven year old best to reach the village – I saw her. Not a horrifyingly dark frightening forest creature as I had expected, but a breathtaking beautiful woman drifting among the trees, ambling over rock and brush with a snake-like grace.

Though her beauty was undeniable, she bore nothing shy of a malevolent wickedness about her. She was cold. Cold and mirthless. She floated through the forest with an agility that belied naturalness. No tripping over stones or wobbling about like I did. Witchery of some kind to be sure. I had heard of such things. Witches.
It was possible.

When I dared, I allowed my gaze to flit in the darkly woman’s direction. Each time I did, my skin would prickle – as the witch seemed shrouded in a billowing pitch-colored dress that undulated at the ends in wisps of smoke like her presence was burning the space around her. What skin did show glowed ghostly blue-white, even in the light of an overcast day. And her lips, the darkest blood red I’d ever beheld. Her eyes were black as pitch with no whites to them. A most alarming visage.

If I allowed my gaze to linger a second longer I saw that the woman would flicker and shimmer as if not wholly of this world – a tortured spirit caught between this life and the next.

I wish that spoke the worst of it. It did not. For then she bade me, in Mohawk no less, to come closer. It rattled me to the core of my being, I can tell you that. Yet I knew she was not Mohawk no matter how hard she attempted to assume the like. Her soft tones caressed my ears with a beckoning lilt to it, teasing me, as if we were but long lost friends.

The longer we made our way to my village her pursuit enraged me, with her purring giggles and a haunting laugh, as if trying to share a special secret with me that no one else could know. I would remember later that her laugh contained absolutely no humor. Just thinking upon it now, it makes my blood run cold.

But I pressed forward, pausing a couple of times – probably not the smartest thing I had ever done. I was young, and therefore, prone to stupidity and curiosity that my mother said would one day be the end of me. But I knew I should get a better view of the witch – if anything than to inform others. Though, why I felt that it fell to me to do so only confirmed my not understanding things fully – I was very much out of my league. Not surprisingly, each time I tried to get a better look, the witch would alter her parallel course and began to pursue me in earnest, giggling all the while. That damnable giggle. A powerful taunting wrapped up with its maddeningly hypnotic pull upon me. Nothing terrified me more than the idea of something so beautiful and alluring could embody absolute danger and terror. The bait and switch chasing had me in a perilous dance, and one I deeply wished would come to its conclusion.

Several times I swore I could just feel her at the nape of my neck, like the cold rasping hand of death reaching out and barely scraping against the skin. But in those terrifying moments, I did not dare take the time to look, for I knew that would cost my life.

By the time I reached the village, back to the safety of my people, I finally had the courage to turn about and look back, only to find the witch had vanished completely.

I stood there for quite a while, eyeing the forest for her presence but found none.

I always bear witness to unnatural things, things no one else would wish to witness. It has always been a part of my life – a constant, odd and sometimes mortifying companion. Now at the respectable age of seventy-three, I ought to have grown used to it, accustomed to the stares, the small talk behind my back when others do not think I can hear or see them as much as the oddity of seeing such things in the first place.

But the gossipers are mostly the new Americans.

My people, the Haudenosaunee, have other ways of coping with me, though coping may be too strong a word. Even at my age, I am still learning to master the English tongue. I came to it late in life and I must admit that its manner of construction is most strange. Mohawk has a strong visualization to it. The words and phrases are conceptual in nature and structure. I found English a much harder means of communication. Whenever flustered, English made it more difficult to express. I am old now. I supposed it would always be this way until my last breath upon this Earth.

Thunder rumbled outside as my thoughts wandered over that terrifying event so long ago. And while that story had a great deal to do with the events of tonight, it was not the whole story. No, that story had no real conclusion; the conclusion I sought those many years ago would happen tonight. I felt it in my bones. Coldness had taken root and eked into every part of my body. I just could not get warm enough despite the stifling heat of the room.

The violence of the stormy night bellowed about us. A hurricane had engulfed Manhattan and was raging outside. The birthing of babies should present itself as a joyous occasion, a celebration. But this afternoon played itself out to be something altogether different.

As a Clan Mother of my people, the Mohawks of Akwesasne, I have often been present at the birthing of babies. It is the way of things and has been this way for far longer than the people can remember. Birthings are the most potent power women possess – the creation of life.

For the Haudenosaunee, women govern the culture and guide them through the forests of life. It is our responsibility and our birthright to ensure Haudenosaunee longevity. The chiefs and warriors may be out front, but that is only so the women can point over their shoulders to tell them where to go. So a request for the Clan Mothers to be present at a birthing in our territories was quite common place.

To do so elsewhere – not as much.

This birthing however, was proving to be different. As one of our own had married into a prominent New York family and her son, who had also fallen in love with and married a Mohawk maiden, requested the birthing of their baby to be handled in the traditional manner; so they sent for the Clan Mother.

Not to appear out of step with the times, the Hallett patriarch had also sent for a doctor to ensure that should the Clan Mother fail in any way then the doctor would fix it. It frustrated me. I could not understand what he meant by that. As women, as well as Clan Mothers who not only birthed their own, but assisted in countless other births within the nation, we knew what needed to be done and yet this young man who takes money for what comes naturally to us stood by to fix it should it go wrong.

As the English are fond of saying, Poppycock.

Contented that two of our own had married into the prestige of being a Hallett of New York, they did the sensible thing to ensure the birth of their baby was going to be in the traditional way. It was a great comfort to me that even within the halls of New York high society the Mohawks were finally making headway in educating the Americans on civilized customs and behaviors.

Rose, the daughter-in-law and my second grand-niece, began to call out in pain. Her baby was close. Sweat beaded across her brow, and her breaths came out in a rasp. I instructed the burning of Seneca grass and sage to calm her. The bedroom was thick with it.

Rose sipped from willow and white pine tea that was common during the birthing, wincing whether from the taste or the heat, I was unsure. It helped for the most part but her pains were strong. They raged as powerful as the storm outside. Indeed, the very walls of the great Hallett familial home seemed to rattle along with Rose’s birthing pangs, the two of them caught in a horrifying rhythmic dance. When the storm relented, Rose cried out in agony; when she settled, the storm outside raged and rattled the house again. It did everything to shake our nerves.

The other mid-wives, some Clan Mothers from other clans, tended to Rose as best they could – wiping her brow and gripping her hands to guide her through the waves of it. I was sure from Rose’s perspective she was going through the worst pain imaginable, but having seen many of these, I thought it a relatively easy birth.

Thunder rattled the skies above. All eyes cast their gaze momentarily to the ceiling of the room, eyeing the creaking and buckling noises warily. The Sky People, it appeared, had their own agenda tonight.

“She’s calling for John, Elizabeth, and her own mother. I think she would even call for the Christian God himself if she bought into all of that and thought it would help,” Kathryn said as she approached.
My eyes glanced over at Rose who was seated in the wooden birthing chair so it would be easy for her to produce the child when the time came. Many a child came into this world through that chair, though none of those before carried the weight of the birthing happening this night.

My gaze returned to Kathryn and I gave her a look of resignation.

“Let her call them all she wants. The baby will be around for a long time; they can see it after it’s arrived. She knows better, but that is the pain talking.”

Elizabeth Hallett, the expectant grandmother, swept into the room in a simple dark but smartly tailored no-nonsense dress. The rustle of her voluminous skirts turned heads in the room as she made her way to me.
Her confidence seemed to billow the aroma of Seneca sweet grass that seemed to give way with little resistance to her formidable presence. Gracefully composed, as ever the proverbial eye in any storm, she returned to us carrying another small pot of tea.

“She complained about the tea being too bitter, so I…” in unison we stated the obvious, “… added the Maple sugar.”

We all shook our heads and allowed ourselves a small smile for we had been in Rose’s position and knew we should have added the sugar in the first place. Willow-Pine tea carried a brutally bitter bite upon the tongue.
Elizabeth grasped my arm warmly. It was her way of letting me know how much she appreciated my presence. Elizabeth smiled briefly before turning to take in the rest of the women busy with caring for Rose.
“Heavens, it is warm and thick with the grass in here.”

“That is Patricia’s doing. She’s always heavy handed with the grass. She would burn the meadow bare if she had her way,” I said as I poured a small cup of the tea and handed it to Kathryn who spared no time in getting it to Rose.

Another cry rang out as a wave overtook Rose’s resolve to remain calm. As it abated, the house groaned again as wind and water pounded heavily upon the window panes. Not that any of us could spare the time to observe the storm as Elizabeth’s husband had all of the home’s windows shuttered up against it, say nothing of the birthing pulling focus. There was but one small sliver of light where the warp of two boards did not quite meet up. That sliver was our only connection to the outside world. But we did not have time for taking in the storm, as a baby pushed to make its way into this world.

I began to move in Rose’s direction, to guide her through the final stages of birth, when the room swayed before me. The walls seemed to liquefy, rippling as if they were melting in place. Only one thing I could think of would cause this: the sight was coming on again.

Not now, I thought. The child needs me.

A shrill from Rose shocked the room. In that moment a chill ran through my heart for I thought I heard a small laugh nestled within that cry. It was a mirthless laugh, a malicious teasing laugh. I staggered for a moment. I could feel the pull against my life, sapping energy from my limbs as it leeched across my body to my very core and I had no way of stopping it. Like that seven year old girl being pursued in the forest I found myself truly frightened – convinced that I was on the precipice of my own demise.

“Audrey, she needs you.” Elizabeth nodded in Rose’s direction before turning to me where she saw my pained expression and asked, “Are you … alright?”

I braced myself against Elizabeth’s offered hand and the small bedside table for support. I shook my head to try to clear it. When my eyes focused again, I was in shock at what I saw: there before me were two glowing points of light undulating within the belly of Rose, each bearing down toward their entrance into this world.
“Twins …” I felt the words sputter from my lips before I scarce realized I had said it.

“Twins? Did you say … twins?” Elizabeth asked bewilderedly as she helped me to a full stance. I nodded. The very air was sapped from my lungs; I struggled as if attempting to breathe under water. But through it all, my gaze never wavered from the sight of those two glowing lights as they made their way to the birthing.

“They are coming …” I barely managed a rasp out to the other women as I struggled to focus on getting back into the fray. The doctor came forward and placed a cone shaped tube to her belly. With a sudden burst of energy that I did not know I possessed, I knocked the boy-doctor aside.

“Out of my way, child. This is women’s work.”

Rose’s cry escalated into a piercing shrill, if that were at all possible, as she suddenly removed herself from the birthing chair and squatted as instructed. She bore down with a guttural cry as the crown of the first baby’s head made its way into this world.

The door to the bedroom suddenly opened and John, the father, obviously concerned in the change of his wife’s cry, had come to investigate. His father, James, was on his heels as they both stepped into the room.
“It’s time, James.” The doctor approached the men. “The Clan Mother thinks it is twins.”

“Twins?” John murmured, as if the thought had never occurred to him that his family would be off to such a grand start. James clasped a firm hand upon his son’s shoulder and the men beamed at each other before embracing briefly.

“No time for celebrations just now. They have yet to be born,” Elizabeth called to both of them. The men nodded and eased back to the edge of the room in an attempt to stay out of the way.

“Quiet now; here comes the first!” I called out as my hands cradled the head of the first child as it pressed its way into the room. Thunder roared overhead. The wind howled surrounding the arrival of the first child, announcing to the world that the birth of these babies carried an ominous tone.

The great house shuddered and groaned. Thunder pounded upon the roofline. I looked at the boy I held in my hands as I received him into the world and began to wrap him up into a swaddling cloth. The other women moved in to tend to the afterbirth as I guided the young boy to the birthing cradle. My eyes tried in vain to focus upon him but he kept shifting and vibrating. I thought it must be something wrong with me, that I became overwhelmed with everything. To calm myself I ran my hands into a hot bath of water to wash away the birthing when my breath caught. A bone-chilling moment overcame me, leeching it out of my body and turning the water to an ice slurry in a matter of seconds. A puff a humid air billowed from my lips. The temperature of the room seemed to drop about 20 degrees within a matter of seconds.

Out of the corner of my eye, I could see the men in the room, seemingly unaware of the change in their surroundings, faces alight with delight of the birth of a healthy son. As I slowly turned, I became rattled by the way the room was beginning to lose its form. Walls rippled and undulated all about me, yet no one else seemed to take note of it.

A bright flash cut through the room as the shutters were forced open from their frames. In the brilliance of the lightning, the room became crowded with a collection of Haudenosaunee warriors. Unseen by everyone else, these spectral shapes dominated the available space in the room. These warriors were the likes I had never seen. Proud warriors in full battle readiness; they were silent sentinels who had but one focus in the room: the birth of these babies.

I knew at that moment that the others were watching. This was no normal birthing. A new chapter in Haudenosaunee history was being born.

Though I had never witnessed them myself, I knew what they were: the Unnaturals, preternatural beings akin to the Sky People of old, spirits who seemed to look like us but with a pallid, violet blue-white skin of the beyond. Each warrior bore different images and small patterns and pictorials tattooed upon their skin that changed and undulated across their flesh. They were creatures of immense power. As the storm continued to rage, pulsating lights seemed to burst from within their expansive bare torsos, matching the intensity of the thunder outside as if somehow the bombastic nature of the weather were tied to them.

They did not simply come with the hurricane. They were the hurricane.

I could not bear seeing them any longer and in haste I balled my fists to my clenched eyes to clear the vision. I did not know if I could make it through the birth of the second child. I feared losing my grip upon this world when I was needed most.

I kept my eyes closed to the horror of it, taking a moment to breathe deeply, begging for them to disburse … to leave us to our work.  When I dared to open them, I was relieved that the warriors had all gone. But the oppressive feeling of their presence remained. They were still there, just on the other side, unseen. Their arrival served to underscore the significance of these births. These children were being watched and not necessarily by a benevolent presence, either. The Others were tricky; one never really knew the measure of their allegiance.

“Have to get back to her …” I stammered under my breath. My once sure and direct hands suddenly felt feeble and failing. I could see the light flickering within Rose’s groin, too much time passed between the birthings. She was going to lose the second child.

Rose’s head snapped up, her eyes wild with fear. “Something’s wrong. I can feel it.”

She looked at me pleadingly. She began to panic. I plucked up every ounce of energy I could muster and leapt into action.

“Look at me, Rose,” placing my hands on either side of her frightened face, trying to pull the woman from the terrified girl, attempting to catch her frenzied gaze, I tried with everything I had to soothe her rattled heart. “You will not lose this one. She’s much too important.”

Now, why I said that to her, I was not sure. I had no reason at all to assume that the second child would be female, much less the influence she would have in this world. But sometimes these things just come to you. I’d learned not to argue with it when it happened.

Rose nodded – together, she realized, we could do this.

I began to chant a song her grandmother had sung to her whenever she needed calming. As soon as I cooed the first few syllables I felt the room shudder. Some of the other mid-wives looked about the ceiling wondering if the home would hold against the storm or if, in the next moment, we all would be swept into oblivion. Without much warning the flickering light of the second child grew in earnest and pressed forward.
Her time had come.

“Now, Rose … NOW!” I called out and Rose did as I bade her. With every ounce of strength between us we brought the second child into this world. She was radiant. Her skin literally glowed in my hands. The delicate flower of a girl already had the fine wisps of dark auburn hair that was prevalent within the Hallett line. Had the brother had this trait as well? I honestly could not recall.

As I handed the girl to Kathryn and Elizabeth, I turned and saw the men as happy as they could be. I could only feel relief that I had made it through. The other women could tend to the clean-up there after.
Then, without warning, everything stopped. The sound of the storm suddenly abated. There was silence. Even the babies had calmed themselves from their birthing cries. A soft shaft of sunlight poured into the room, giving the moment a subtle glow, bathing it in tranquility. Every person seemed rooted to their spot. No one moved a muscle.

As soon as I moved the action in the room seemed to pick up again, as no one else had been trapped between time and for that single radiant moment the possibility of peace was real.

I took up the birthing chair as the other mid-wives got Rose back into bed. I leaned my head back and closed my eyes, grateful that the birthing was finished and somehow everyone survived. For the next few moments I allowed myself to be wrapped up in finding a way to return to normal breathing. Just the flow of air to and from my lungs calmed me immensely and I relished these few moments to gather myself from the entire event.
“The storm seems to have let up. Heaven itself is welcoming these two brilliant children into this world,” James said brightly as he lit his pipe. How much I wished his sentiment were right, though inwardly I knew it could just as easily have been the reverse.

“Audrey, do you require anything? Something to eat or drink?” John asked as he knelt next to the chair taking my right hand into his. I could tell by his touch how deeply he felt the blessing these children brought into his life. I gently squeezed his hand to let him know I appreciated his gratitude. A wave of nausea overcame me, I became a bit light-headed.

My eyes fluttered open … and saw her.

The only creature that had ever truly frightened me. Gone, the days of forgetting her evil beauty. Gone, the intervening sixty-six years as if they had not happened at all. Within the span of but a few seconds, I was that frightened little girl again in the forest with Hell’s Witch upon my back. Only now, instead of upon my heel she faced me directly.

She was standing there behind James Hallett and to my great horror no one else seemed to notice or care. Time had not changed her radiant beauty. She was as luminescent as ever in the semi-darkened room. I lifted a hand and began to point at James. Every warning in my head began to sound, the horror of the witch’s presence pressing upon me. I was rattled, in shock. I found, to my confused dismay, I just could not get the words out to warn them all.

John looked at me quizzically and turned to his father for advice. James shrugged at my bewildered state.
WHY COULD THEY NOT SEE HER STANDING THERE?

I stammered with some spittle flying from my lips, “There, look out! Get … away … from him.”

I waved my hand about in the air as if swatting unseen flies. Everyone stopped what they were doing when they heard me. They looked quizzically to each other, not knowing how to respond to my frenzied antics.

The beautiful woman, completely shrouded in the same dark, ominous-looking tresses, her face and limbs the only thing protruding from the smoky visage, smiled wickedly as if this were the shared secret between us that no one else would ever be privy. She flickered in and out of existence. My eyes widened. Wracked with frustration, I couldn’t understand that no one else knew the danger the witch represented.

Though I had not laid eyes upon her in over sixty-six years, I knew that vile creature for what she was … she was death or something akin to it and she had come to claim a soul.

Helplessly, I watched as the witch moved around to James’ side and slipped one arm around his waist and the other she seductively ran up his chest and leaned her head against his shoulder. She pouted playfully at me, feigning an apology for what we both knew she was about to do, confident in the knowledge that no one would believe me should I even speak about what I saw.

“No, not James … not today” I muttered mournfully, knowing that the plea would fall upon deaf ears.

The seductress smiled again and plunged her hand into James’ chest. I knew what she was doing; she was squeezing the life out of his heart. A man who had loved Elizabeth so deeply that he had endured the scandal of marrying a Mohawk woman and bringing her into New York high society, of ensuring that the family was firmly rooted in both worlds. A man who had a heart big enough to love all who knew him and to be generous with that love of life and spirit. And now it was being crushed, obliterated, swept aside as if his presence was no longer required. His smile faded from his face, the pipe fell from his hand, his eyes dimmed and he was gone. He crumpled to the ground before his pipe hit the floor.

Elizabeth screamed as she and John rushed to his limp body. When I looked up at the she-witch, Death’s paramour, she had moved to a different part of the room. She hovered above the bed where the twins lay with their mother. Slowly, suspended from the dark billowing smoke that coursed about her, she lowered herself like a Black Widow moving in for the kill – a small hiss escaping from her lips. Her ravenous gaze moved slowly over each child, a cold hunger coursing through her. Then, without any indication why, she turned to look at me square in the eye with a deadly stare and a wicked smile before silently drifting up into the darkness of the ceiling and out of sight.

In the massive bed Rose sobbed as she cradled the crying babies in her arms. The room was consumed with grief from James’ untimely death. The doctor had immediately rushed to James’ side but I knew it was no use. He was gone. There was no bringing him back.

I leaned forward and pressed my face into my hands and wept with the enormity of the moment. The children’s birth would be forever marred with the ring of death. It was an inauspicious and yet a powerful revelatory moment, one that would prove to have far greater resonance in the time to come.

 

---

 

Until next time …

SA C

Tags: Audrey Brandt | Cove Chronicles | Haudenosaunee | Heroes | Mohawks | Native Americans | Queer Characters | Reverse Flash | Sci-Fi | William Hallett

When Worlds Collide

Writing is a funny business. And by funny, I mean peculiar.

The reason I say this is that what any given writer writes about has to come from a place of either economics (wanting to survive by your writings), passion (a story that just won’t let its author go), or as a means of vindication (having your opinion heard on a given topic – a reasoning and establishing your point of view in a debate).

But therein is where it gets peculiar (at least to my way of thinking). I am solidly in the middle camp. I write from passion. I don’t give a fuck if it’s embraced. I’d like it to be, but it is not a requirement. I’ve said this before. I am a successful writer because I complete a project. I see it through. It may not find its audience until I am well and truly gone. But it’s out there – my voice among the collective. For all time, as they say, because nothing in the internet really goes away (save a cataclysmic alien invasion that wipes out our tech in favor of their own). Right?

I recently had such an experience come to light with my works. I am writing to explore the institutionalized forms of homophobia in competitive sports – in the case of Angels of Mercy, American high school football. It’s done fairly well, given I don’t expect it to be the next Friday Night Lights or something of that sort. For one, I don’t concentrate on the hetero-centrist bullshit that permeates nearly all of literature and media out there. Jesus, how our straight counterparts are so weak that they have to have so many stories written about them. True, there is a burgeoning interest in our stories, but let’s be honest, it’s still small by comparison. Given the latest study on the GLBT impression in media – we are still in the single digits by way of exposure in the mainstream.

Part of that I lay fully at the feet of my own queer community. A large swath of queer men don’t partake of books, TV or movies that focus on our lives to really make their financial impact heard in the mainstream. And when we do have something that speaks to us, about our lives as we live them (*cough* LOOKING *cough*), it is bashed by its own community for not being representational of the whole.

 

 

“We don’t live like that. Not everyone is in the bushes looking for a hook-up.”

True on both counts. Yet, it was bashed so harshly by those of us in the queer community that now it’s gone. Now we’re relegated to tongue-in-cheek facades of Ryan Murphy’s worlds (Glee took a major leap off the cliff after the third season, American Horror Story, while great, is definitely over the top, and if AHS was out there, then Scream Queens left the planet for queer representation years before it aired). Yet with Looking gone, another of our voices became stamped out. And we did it to ourselves. Rather than engage the producers and creatives behind that show (a show I happened to have loved) it was torn apart at the seams.

What is HBO or Showtimes take away? Queer storytelling that focuses on the queer characters don’t sell. Even to our own community.
(Read that last part again, in case you missed just how cutting that is to our own stories.)

That’s beyond pathetic. It’s self-annihilation, or a fucked up internalized homophobia to the nth degree, if you ask me. Self-inflicted. How fucked up is that?

 

I just recently watched, with my husband, Andrew Haigh’s Weekend.

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It was a brilliant and intense queer story. It opened up so many reasons why I loved Looking as I did. It did NOT have a happy ending. It just ended – leaving you to ponder what happened next. Did the boy left behind pursue his lover to the US? Or did he just simply give up? I LOVED that. I loved the not knowing. Allowing me to decide for myself how it all ended.

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I also want to see Lilting.

Jesus, that one looks like it will emotively crush me. I live for those works. I recently watched Ben Whishaw in London Spy. That one also rattled me a great deal. It was queer storytelling that was epic in how brilliant it twist and turned on a dime. Ben Whishaw was brilliant in that work as well. I love my queer men and their simple complicated lives. I love talking to other queer men about their lives and loves and losses. They hold me spellbound. They truly do. Their stories are far more potent or powerful because they exist in the face of often monumental adversity. I admire them. They are my romance. Every single one of them. Even when we don’t agree. I still love and admire them. How could I not? They are from different mothers, but they are my brothers nonetheless.

 

This is partially why I rail at romance tropes. Not enough is being done to write about us as we are. It’s why I can’t write those things. Not when there is so much more to talk about. I get that it’s writing to “hope” – well, romance as a genre doesn’t have the lock on hope. It’s also why I can’t get all gushy about Disney fairy tales (though I will say I was pleasantly surprised by Maleficent). Because they’ve applied solid romantic tropes to stories that had none of that in it. Look at all the works those sweet retellings are based on – there’s none of that happy ever after in the original works. Mother Goose and Brothers Grim were outright scare monsters of fictional storytelling. Nothing short of it.

But I’m a bit off topic here.

What I wanted to get to with this post, is that the crossroads of queer fiction (or as I’d like to now call it – just plain literary fiction – because I am all about the equality) and romance. Somehow the works that take a solid look at our lives as they are get bashed because there is an automatic assumption that anything queer MUST have a HEA. Yes, there are genre and sub-genre works out there, but let’s be honest, their sales probably would do a helluva lot better if that HEA albatross wasn’t out there ready to sack any fictional work that has a queer protagonist/hero doing their damnedest to get to the last page of the story.

This came home to roost with a new reader who found my works and seemed to enjoy what I was writing. Or so I thought. I’ve since learned that no matter how much you put out there that the work is NOT romance, the prevailing winds are if it is queer then it MUST BE romance. Another reason why I rail at that genre. It’s poisoning the coffers of other works out there. I don’t fucking care if it sells. It still should not myopically mar the other stories that need to be told.

I write what I like to read, and what I like to watch. To give you context, I like heightened drama – Downton Abbey, ANYTHING by Shondaland (How To Get Away With Murder, Scandal, etc), things of that nature. I like it when characters are pushed to their absolute limits of what they think they can handle. Then we get to see some real character development. Why? Because humans grow from adversity. It’s built into who we are. Whether we choose to collapse and withdraw (which is a choice) or to fight and press on. We evolve to one end of the human spectrum or another. THAT’S powerful storytelling. Safe stories with safe endings don’t provide that. They just provide the candy like feel good moment before it’s dropped and moved onto the next sweet morsel of storytelling. Police procedurals don’t interest me. Mostly because they are formulaic to a great degree. I have Sherlock (the Cumberbatch edition, if you please) that satisfies that far better than any NCIS or procedural out there. I’m a solid card carrying Cumberbitch, and proud of it!

 

I also come from the world of professional opera. I write operatic pieces set against the normality of life. I like watching my safe characters who, as its author, I want them to find happiness just as much as the next guy, struggle like hell to get there – whatever their HEA is (and it definitely doesn’t have to involve romance or a romantic theme). But in my worlds, as in life, none of it is guaranteed. I’ve said I am a pantser, in that I have tentpoles up that mark where I want the story to go, but I also let the characters drive the drama. Sometimes they’ve even surprised me. Actually, they surprise me a helluva lot.

So this new reader seemed to like what I was doing. But I thought, because I was careful to explain in ALL of my blurbs and marketing about the works, that they are NOT romance reads, that I was covered by that simple statement. I’ve never professed them to be romance in any stretch of the imagination. I don’t do romance. I can’t. I want to push my characters into very, VERY, uncomfortable places. I like watching them squirm and rationalize their own fucked up viewpoints, I want them to explore why they are doing what they are doing. I want my readers to see the dangers of their thinking. They are very, very specific works. Not for everyone.

But again, that is my passion. That’s what I write. Heavily influenced by my years in the opera world telling those types of stories to the masses.

I was once in the wings about to go on for the final tableau setting of Cavalleria Rusticana when one of my opera singing gay buddy besties came along side me. We loved to quietly crack jokes and goad one another backstage before we had to go on and be over the top dramatic. Keeping the balance, ya know? Humor before tragedy and all that rot. So I turned to him and said, just before the ear shattering scream one of our cast members was tasked with when the hero is killed in a duel:

“Why can’t we do a happy opera sometime?”

To which he replied:

“Who’d come to see it?”

He had a very valid point. His response is what’s guided my hand while I write what I write. I write opera. I write drama. No automatics in those works. In fact, it’s expected that shit won’t work out. That the ending will be cataclysmic and disastrous. If I can pull a rabbit out of my hat and give my characters a happy ending that works, then yay me. But I don’t do automatics. Hell, sometimes I only vaguely know how it’s going to end when I start. And even then, that ending is ALWAYS a moving target as I see it finally in my sight at the end of the work.

*Series Spoiler Alert*

Well, I asked this new reader to preview the next release – Angels of Mercy: Phoenix in the Fire. He said he’d love to read it and provide feedback. This book is dark. It’s not a happy book by any stretch of the imagination. How could it be? It is about being the victim of a very horrific beating by your boyfriend’s teammates. That is going to do a number on how you see your world, despite which avenue you choose to crawl out from that terrifying hole: to survive and become stronger (the hardest of the two) or to collapse inwardly and withdraw from everyone you know (sadly, the usual tract most take). I wanted to explore the former rather than the latter. It’s easier to implode from that sort of homophobic beat down. I wanted Elliot to climb out of that hole and find an inner strength to himself. Elliot struggles to accept the love that is freely given to him by many in his life. He thinks he’s not worth it. Many gay men have this struggle for one reason or another. I wanted to have that as part of his inner monologue.

Well, suffice to say that my new enthusiastic reader wasn’t very taken with the new book. In fact, when I asked him what he found that didn’t work (because I truly wanted to explore that) it became very clear to me he was reading it as a romance read. I tried to explain that I wasn’t writing that. It was too late. Phoenix had soured the work for him. I haven’t heard anything since my last email that tried to explain what the works truly are. Other betas advised me to leave it – to distance myself from that situation. But I’ve toiled with it in my head. It’s stuck in my craw, so to speak.

But it did point out why my ire at the romance trope exists. It is poisoning other works. The expectation that ALL stories must have romance tropic happy endings is destroying proper storytelling. It is also setting expectations out there for works that are nowhere near that form of writing.

I don’t do romance. I probably never will. I write us as we are.

There. I’ve stated it once again. Not that anyone is really paying any attention. Those tropic bullshit expectations will still be there. I’ll still rail against them and flip them the big ol’ bird and purposefully write darker works that put a magnifying glass on our community as we are just to spite those Disneyesque saccharine laden pieces of fiction.

I write drama. Operatic drama. Period. Deal with it, or move on. I’ll continue to write either way.

Until Next Time …

SA C

Tags: Angels of Mercy | As We Are | Cavalleria Rusticana | Elliot Donahey | Lilting | London Spy | Looking | Opera as Storytelling | Operatic Works | Queer Community | Queer Romance | Storytelling | Theatre | Weekend

Embracing Equality Means …

 

 

Something has changed. A fundamental shift in what I am doing. You see, I’ve been writing my own life story as a series over at the Violet Quill Redux and that has made me question how I see my own works. Not just the fiction works, either, but all of it.

I’ve had moderate success in the whole Gay Fiction part to my work. Assigning that moniker to what I do seemed to be the right thing at the time I released my first work.

It was a pseudo-horror thing I was playing around with. I had been hammering out Angels of Mercy at that point, but HO’M,O – Henry O’Malley, Omega was completed and I desired to have something out there that had my name on it. Hell, on the eve of releasing HOMO, I discovered that some other twit “writer” (and I term that very loosely after reviewing their work) ended up snagging my pen name (even though I had the domain, the blog, the wherewithal to publish free chapter reads before I published on January 1 of last year) right out from under me. Originally, I was going to use S.A. Collins and up until I published on New Year’s day 2015, that name was available. Then this idiot swooped in and published a free (it had to be, because the work was atrocious) work using that S.A. name reference. I was beyond pissed. At this point I had a ton of money invested in what my author/pen name was going to be. I didn’t want to change it. So, gritting my teeth, I removed the periods from each initial and pressed forward. Now, I don’t know if my putting gay fiction out there under that name scared the squatter off, but they haven’t released anything else under that author name. But I’ve still had to go back to numerous distributors and tell them I am NOT S.A. Collins but SA Collins. It’s been a chore.

So labeling my shit as Gay Lit Fic has helped me in one respect: I’ve been able to make a fairly good imprint that I am out there as SA Collins – through the WROTE Podcast, my works, and just generally hammering away in social media as him. I say him, because he is a fictitious character in one of my future works. So in that sense, I get to put him on, and put him away when I write. I sort of like that about him. I hope he doesn’t think it an abusive relationship, because I do love him and his journey.

Okay, that is getting too headspacey, even for me.

The point I am trying to make is that I started out proudly labeling my works as GAY, GAY, GAY. In that way, I am completely unabashedly #QueerProud and make no bones about what I am writing. I want it to be provocative, to press at the edges. I LIKE BEING QUEER.

 

 

But, something occurred to me: all of my literary heroes never labeled their works as such. Not John Rechy or Gordon Merrick (my literary gods), nor did Felice Picano, Andrew Holleran, Paul Monette, or Armistead Maupin for that matter. They just wrote literary fiction, PERIOD. End of story, no debate. In doing so, they demanded that their works be taken seriously within the greater mainstream. They, too, were unapologetic in what they wrote, BUT, and here is the critical difference, they (and, to a certain extent, their publishers) were no less of a homosexual or queer writer than any of us now. Yet, they were successful at it – in the mainstream. And by mainstream I am talking best sellers on the list that mattered: the NYT best seller list.

Even now, I am seeing other works by new authors that are completely bypassing the Gay label on Amazon and simply stating it’s Fiction, letting it stand with everything else, yet not denying that it is profoundly queer. Life on a slant, as it were. Proud outliers but never feeling the need to say I’m Queer, now read my shit. It was just – hey, read my shit if you’re interested. And people did. They did it in droves, too. New York Times Best Seller kind of droves.

I’ve come to the realization that I, too, am not willing to limit my works to a gay audience. Yes, I’d love it if other queer men liked what I did. I am writing to them. But it doesn’t mean I need to limit the works in that whole M/M thing that is completely overrun with women writing about us (often as we AREN’T). I have no desire to play in that game. That literary house isn’t even mine as a gay man. It’s like I’ve been ousted from it. Yet, in my striving for acceptance and equality, I am not willing to limit the scope of my works or audience. Put it out there and let ANYONE who finds it of interest buy it and read it.

I will continue to celebrate and champion queer works. I love the community of writers I’ve come to know in that sliver of genre fiction that is currently being labeled as Gay Fiction. I just am not willing to play in that pool anymore. It’s not what I am doing, not even remotely. My works are perception works. I want other people to read and see how these men process their worlds. I am not writing to a HEA (as a rule I sort of fucking despise HEAs (Happily Ever Afters) – I want realism in my works – not just in what I write, but what I read as well). I am not opposed to an HEA that makes sense. But to open a book and know already that it’s there is sort of like sitting down to a banquet and you already have been told that dessert is in the making, what it is, how it tastes and what you should expect.

Boresville, USA population: YOU. Like my queer literary forebears, I can’t go there.

So I’ll champion my author pals who want to continue to write in that genre. Yay, team! Go you! But I want equality in what I am doing. My works need to stand with the rest of mainstream writing. I need to see where that road takes me. Maybe nowhere, but I am thinking not. I think it may be a long slog to get noticed in that arena but I think in the long run I’ll be happier that I did this.

My stories are not genre fiction in the way that gay works are defined now. They’re more than that. They’re decidedly queer. They are threaded with gay men’s experiences I’ve collected over the years. But they are also representational of the greater human condition. I specialize in character studies and perception plays. That is universal. I’m just providing a queer lens for anyone to read and see the world through those eyes. But they’re not gay fiction. Just fiction.

Literary Fiction.

I’m good with that.

Until next time …

SA C

Tags: Andrew Holleran | Angels of Mercy | Branding | Categorization | Felice Picano | Gay Lit Fic | General Literature Fiction | Genre Woes | Genres | Gordon Merrick | HOMO | John Rechy | Novels | Paul Monette | SA Collins | writing

3 M/Musketeers Podcast –
Ep002 – It’s Like Chocolate

 

So our second episode is up and boy is it bang on brilliant! Brad Vance stopped by and we had a real blast talking about his works and what it was like for him coming up in the industry. Brad was a very engaging guest author/host and we were so lucky that he said yes when we asked him to come on and share his experiences with all of its successes and stumbles along the way.

We laughed, we ranted, we poked at each other – but mostly we laughed. A LOT!

Come take a listen to what the fun was all about!

 

https://soundcloud.com/3mmusketeers/3-mmusketeers-podcast-ep002-its-like-chocolate

 

If you’re an author and would like to come onto our show and discuss your works, we’d love to have you! Just follow this link, and fill out the form and we’ll take care of all the rest to get you scheduled.

If you’re a reader of Gay Lit Fic (in all of its permutations and sub-genres) then by all means sign up as well. It’s a great way to interact with the authors and to present a readers perspective on the genre you love to read so much!

All for fun and fun for all – that’s our motto! Come join in on the fun!

Until next time …

SA C

Tags: 3MMusketeers | Angels of Mercy | Brad Vance | Jayne Lockwood | Podcast | SciFi | Sports | Vance Bastian | Vikings